It's been enormous fun and a really interesting project (you can read a little interview with me over at the beframeus Facebook page). I've learned a lot from doing it, but overall it's been a success, I think. And there's been some really nice feedback - a big thank you to everyone who tweeted, shared or commented, and especially to all those who took photos of the screens - it's been great seeing them out there.
Here's a few of the screens, as photographed by a variety of Tweeters and Facebookers (as credited). Arni's Epic Adventures runs until the end of November - let me know if you spot him!
Follow Arni's adventure on Twitter with the hashtag #ArniStory.
Arni is a little red bird (a Pine Grosbeak, actually) who was having a lovely snooze in his favourite tree when he was rudely awoken by the sound of a chainsaw and his tree was carted off on the back of a lorry. Arni loves that tree, so he's decided to follow it, but that turns out not to be as easy as he'd hoped, and a series of exciting little adventures ensue.
The strip was commissioned by JCDecaux - "the number one outdoor advertising company in the world" and provider of those digital screens you see everywhere at railway stations, shopping malls and airports. The basic concept and the character idea is theirs, while the realisation of the idea (script, design and artwork) comes from me. He's appearing on JCDecaux screens across the UK, one strip per working day (with catch-ups at the weekend) throughout all of November - twenty strips in all.
As I write, I've still got the last few pages to draw - a little nerve-wracking as the story began its run on Monday November 2nd - but I'm really enjoying it. Even as I wrote the script I knew I was setting myself a challenge with a fair number of testing environments to draw, including depictions of lorries, ships, cranes, and city scenes, many of them from unusual angles - and all with a rather tight deadline. But nothing gets you to do your best like a story that pushes your abilities - and a tight deadline!
A further challenge has been that JCDecaux have two different screen formats ... the Digital-6 is a portrait screen and the Transvision is landscape. As D6 screens vastly outnumber the TVs, I've drawn primarily for that mode, but have then had to re-compose the artwork for the longer, narrower format, often having to cut away some of my artwork (wince!). For me, the definitive versions are the D6 pages, but it's the more screen-friendly TVs that are being published online.
JCDeacux host thousands of screens across the country, many at major railway stations, roadside locations and big shopping complexes, reaching half of the UK population (they reckon 30-40 million). The strip is wordless and appears on screens for 5, 6 or 20 seconds and is being billed as "the first graphic arts story to be commissioned for digital screens" (the big ones, anyway!).
A big thank you to Russell Gower and his colleagues at JCDecaux for giving me the opportunity to work on such an exciting project. I hope you'll come across Arni on your travels throughout the following month - you can follow the strip's progress on Twitter through beframeus and ArniBird - and if you see a screen, do let me know, and tweet a photo if you can!
