The highly respected karate master, Soke Takayuki Kubota, has died at the age of 89. I record it here because he had a huge influence on my own karate as I trained at his Glendale dojo from 1985 to 1986, four to six times a week, gaining 3rd kyu under his tutelage.

Kubota's father was a jukendo expert (bayonet fighting) and during the war his home village took in two Okinawan refugees who taught the very young Kubota some karate. As a teenager he moved to Tokyo and hung around various dojos, training whenever and wherever he could, or just watching and learning. Kanken Toyama and Yasuhiro Konishi were two such sensei from this period.

Shotokan must have had quite an influence on him too - besides his numerous own kata his school teaches the Shotokan forms - though it is rarely cited in his biographies. But a Black Belt magazine interview from 1964 mentions Shotokan was his favourite "method" and that he was a member of the JKA at the time. Soon he was helping to train the Tokyo police and accompanying them into various dangerous situations, helping to forge his own 'hard and fast' style of karate further. More connections came as he taught at a variety of US military bases in Japan.

In 1964, invited by Ed Parker, 'Tak' Kubota brought his now named style, Gosoku Ryu, to the United States. He was present at the 1967 All-Star Tournament, giving demonstrations alongside the likes of Bruce Lee, Chuck Norris and his longtime friend, Fumio Demura. Some of these relationships hinted at his future 'side-hustle' in Hollywood, with roles in films alongside Charles Bronson and James Caan to name just a couple of his numerous appearances. Kubota's reputation continued to grow as he helped train the Los Angeles Police and invented the kubotan key-chain as a self-defense weapon.

I have a number of fond memories of my time at the Glendale dojo, including attending the 11th Annual IKA Tournament where So-Shihan (as he was called when I trained there) was presented with a 400-year old Tokugawa meditation bell. Kubota struck it three times and everyone present meditated to the nearly endless ring that the Shogun himself had once meditated to.

In a 1965 Black Belt magazine interview, Kubota summed up his 'Tokyo Way' of karate: "Practice the first form five years, one and a half hours every day. Begin kumite at the age of eleven. Now practice three hours every day; more kata! More waza! That's karate the Tokyo Way."

A quick post to let you know that, after a bit of a hiatus, The Brambletye Box comic returns online today.

You can read the latest strip here, which resumes after a four-page scene cut from the online preview, but available to Patreon supporters - and, of course, in the book when it comes.

As before, there is no update schedule, but there should be a few strips uploaded in the coming weeks (work and life stuff permitting!).

Late last night I started to see a trickle of Facebook posts claiming the great bande dessinée artist André Juillard had passed away. I couldn't find a source, but some of the announcements were from well-connected European BD figures, so it seemed to be correct, and, indeed, this morning it is, sadly, being more widely reported.

My first introduction to Juillard was with his self-written After the Rain (Apres la Pluie, 1998), translated into English by NBM in 1999, and then via his masterfully illustrated Blake and Mortimer albums, seven in all, written by Yves Sente, from 2000's La Machination Voronov (The Voronov Plot), to 2016's Le Testament de William S (The Testament of William S). On one of my visits to Germany, in Colne in 2014, my German publisher very kindly gifted me two volumes of Juillard art books (Péle-Méle) - I often flick through them when inspiration is running a little low!

Juillard's beginnings included drawing classes from the likes of Druillet (Lone Sloane), Mézières (Valérian) and Jijé with his first published work in 1974 for Formule 1 (previously Cœurs Vaillants, the first home of Hergé's Tintin and Jo, Zette and Jocko in France). He soon established himself as a devotee of the historical comic, adapting Romeo and Juliet and debuting his 13th-century set story, Bohémond de Saint-Gilles.

Widespread success was slow to come, but did soon arrive with Les Sept Vies de l'Épervier (The Seven Lives of Sparrowhawk, seven volumes from 1983 to 1991), written by Patrick Cothias and set in France at the beginning of the 17th century. This lead onto the series Masquerouge (Red Mask, ten albums from 1984 to 2004, written by Cothias and then Marco Venanzi). Juillard also teamed up with Jacques Martin (creator of Alix and Lefranc) for a Napoleonic series, Arno (three volumes, 1983-1987).

Juillard's reputation was now without question, and more work, both in comics and illustration followed, with portfolios and art books released to continued acclaim. He won the Grand Prix at Angoulême in 1996. His last few albums included Léna (with Pierre Christin, three volumes, 2006-2020), Double 7 (with Yann, 2018) and a return to Les Sept Vies de l'Épervier (with Cothias, 2014 and 2021). Before his death he had been working on a new Blake and Mortimer album, the series' 30th, Signé Olrik (Signed Olrik), set in Cornwall, and scheduled for an October 2024 release.

There is no doubt the world of comics has lost one of its master creators, but André Juillard leaves behind a legacy of incredible work, a treasure-trove of bande dessinée art of the highest quality.