
This blog began in 1997 as a single news page called Nucelus. In 2005, during a long wait to move into a new house, I decided to learn some php and MySQL and write my own blogging system, which became inkyBlog and which now powers this, my own Webbledegook blog.
Thank you to my brother, Murray Ewing, for help with some of the more challenging aspects!

East Grinstead Observer 4 Feb 2004: The Rainbow Orchid
This is a reliable guide to most of the DVDs and videos that are available in the UK featuring Charlie Chaplin, and can tell you which editions are good quality, which ones are cheap and cheerful, and which ones are badly produced. If you're new to silent film in any form (comedy or drama) then watching a badly produced video can turn you off them for good, whereas watching a film that has been lovingly remastered, rescored and given its due care and attention can realise the beauty of this art form for you. Sadly, many volumes are of the former variety, often because the film rights are either free, cheap, or no one cares and it gets put together on a budget, often along with a lack of knowledge. Things are getting better, with the MK2 editions of Chaplin's classics, and Eureka have improved greatly since their early releases, most recently to give us a stunning edition of the wonderful Sunrise .
I know this blog has mainly been updates recently (but that was always the main purpose of Nucleus since I started the page in 1997), so apologies for another one. Not having the time to organise my small collection of Brambletye House pictures into some kind of display at home, I'm inflicting them on the web. Learn more here .
For those whose time had run its natural course in 2003, a toast to my great uncle Norman and my great auntie Millie.
Last night we went to see Hayao Miyazaki's wonderful Spirited Away, one of the best films of the year, certainly the top animation, just nudging out Belleville Rendezvous, and towering above Finding Nemo. The film is brimming with potent imagination, both visual and in storyline. The environment is totally believable and the characters are human, even the non-human ones which dominate the film. It can be favourably paralleled with Alice in Wonderland in concept, but less manic and more amazing. I haven't been to a film in a long time that produced sounds of awe from the small audience. Perhaps The Return of the King will reproduce that experience... A good Miyazaki site is Nausicaa.net.
My four-times great grandfather, James Ewing, fell off the edge of a cliff one foggy night in 1883 and was discovered the next morning, sprawled on the rocks. Ten years later his son, Alexander, placed his head on the tracks in front of an express train and was decapitated. Another twenty years on, Alexander's niece, Mary, picked up the lodger's shotgun in the kitchen and it accidentally fired into her chest. She staggered into her husband's arms and then died... (a few months later, the same gun went off, again accidentally, and killed the lodger too).
And maybe this is one of the reasons it didn't quite spark. He was funny, but not side-splitting as he has been before. The Brighton Centre is a big cavernous venue and I was sat in the east wing, so it felt like he was talking to someone else, not me, and these reasons probably contributed also. This is the fifth time I've seen Eddie live - twice at The Hawth in Crawley (which were truly hilarious) and also as part of the 'One-word improv' tour in Tunbridge Wells. All these were before his mega(ish)-stardom. More recently I saw him in 'A Day in the Death of Joe Egg' at the Comedy Theatre, also very good. So, a bit disappointing this time round, but he still pulled strongly at the chuckle muscles. The last time I was in the Brighton Centre was for the World Science Fiction Convention in 1987.