This blog began in 1997 as a single news page called Nucelus. In 2005, during a long wait to move into a new house, I decided to learn some php and MySQL and write my own blogging system, which became inkyBlog and which now powers this, my own Webbledegook blog.
Thank you to my brother, Murray Ewing, for help with some of the more challenging aspects!
René Goscinny, the original writer, died in 1977, his last book being Asterix in Belgium (posthumously published), after which the series artist, Albert Uderzo, took up the writing as well - often to mixed reaction.
While Hergé explicitly forbid Tintin to be continued by other hands after his death, there has been success with the continuation of Edgar P. Jacobs' Blake and Mortimer series with new creators, so the situation with Asterix is not new territory - though certainly Asterix is a bigger deal on the world stage than Blake and Mortimer.
Asterix and the Picts sees Asterix and Obelix (strangely, leaving Dogmatix at home) travel to Scotland after a Pict is washed up on the Gaulish beach, frozen in a giant pebble of ice. After thawing him out, they decide to return the Pict to his native land, and end up involving themselves in the task of rescuing his kidnapped fiancé, while also attempting to stop the local rotten clan chief from claiming himself as king.
The artwork can't be faulted, and reading the book I couldn't help but marvel at Conrad's imitation skills. There's some very nice stuff with Nessie, and I liked the fact that the fiancé in the story - even though she did need rescuing - was not the usual film-star blonde, but a slightly more down to earth depiction.
The story is fun and breezy but, apart from the setting, not much leaps out to make it particularly memorable. Perhaps, with Uderzo peering over their shoulders, the new creators decided to play things safe, or maybe it suffered slightly from no one wanting to make any radical suggestions or take any risks with this new venture (even though it could be 'anything goes' after the bizarre Falling Sky).
The plot felt a little stilted, but I wonder how much of that is my acute awareness of the new authors. I certainly didn't laugh as much as I usually do with Asterix, though there was humour enough, and the book didn't feel as sharply clever or witty as during the Golden age of Goscinny. I re-read Asterix in Britain afterwards, the Gauls' other visit to our shores, and it really sparkled, with a story that romped at a pace with plot twists and turns, and many good chuckles.
But overall I'm happy with Picts. It's better than some of the more recent books, and I think - I hope - that the creators will grow more confident, become less intimidated (as admitted), and loosen up a little with their new charges. And I hope Uderzo lets them. There's just enough here to feel optimistic about the future of Asterix.
I thought the best way to show you the iPad version of The Rainbow Orchid would be on video, so here's a little recording I made, plus a few screenshots.
Get Sequential for your iPad here (it's free).
All three volumes will be available separately (3.99 each) and you can also get The Complete Rainbow Orchid as a single comic (9.99).
But there's something special about the Sequential Complete edition! It includes all my story annotations from The Rainbow Orchid Supplement, available as a modal view that can pop up on the comic page at the touch of a button, making this a unique, perhaps even ultimate, edition.
Enormous thanks to Chloë Pursey and Russell Willis at Panel Nine, and also to Tim Jones and Amy Fletcher at Egmont for helping to make this happen.
I'll have more info next week.
For previous years' Remembrance Sunday entries see 2012, 2009, 2008, 2007, 2006, 2005 and 2004.
Anyway, I want to thank all you readers for continuing to support my website, and my endeavours overall. Every web hit, email, comment, like and tweet is hugely appreciated and helps to keep me going in the face of the usual creative floundering that besets all comic creators at various times.
With that in mind, I will be announcing a very nice Rainbow Orchid competition sometime in the next couple of weeks - so keep your eye out for it.
In other news, those of you who keep up with the ligne claire scene in Europe may be aware of an exhibition taking place at the Cartoonmuseum in Basel, Switzerland, entitled The Adventures of the Ligne Claire - The Herr G. and Co. Affair.
There is a marvellous poster for it, by Exem, and as I'd only ever seen the one with the title on, I hadn't noticed that Julius Chancer has been generously included amongst the pantheon of ligne claire stars. He may be rather amusingly obscured in the final version, but I'm nonetheless chuffed to see him there at all (by the way, that's another Jules in the window next to him - the creation of Émile Bravo).
Many thanks to Ruwani Weerasinghe for noticing our British representative and letting me know! How many of the others can you name?
I'm not much a fan of the superhero genre of comics, though I did enjoy them for a short while - somewhere around 1980-1984, and in that time my favourite comic was The New Teen Titans by Marv Wolfman and George Perez - I really loved it (Brother Blood! Trigon! The Brotherhood of Evil! Blackfire!).
Sometime later, in the 90s, I had a slight resurgence of interest and decided (as I then had a pay packet) to brush up my collection, which included going back to the original 1960s incarnation of the Teen Titans, and this is where I became aware of Nick Cardy's work. It was his covers that really astonished me - not only the drawing, but the composition and the design as well. To this day I have several of his covers on my wall, and I quickly added John Coates' book, The Art of Nick Cardy, to my library.
My favourite obscure Nick Cardy fact is that is that he added C3-PO and R2-D2 to Tom Jung's famous 1977 Star Wars film poster - a design later reworked by the brothers Hildebrandt. (Nick did many film posters himself, and there is also a sketchbook available of his war art).
Edited by Jared Shurin, and with an introduction by John J. Johnston, Vice Chair of the Egypt Exploration Society (a portion of the proceeds of the book will be donated to the Society), it contains twenty short stories by a host of top-talent authors, including Paul Cornell, Gail Carriger, David Thomas Moore, Molly Tanzer, Roger Luckhurst and Jesse Bullington, to name only a few.
I was there because I was lucky enough to be asked by Jared to provide illustrations for some of the stories - eight in all. The drawings are in black and white, and I wanted a kind of clean Egypto-Art-Deco style, with something of the 1920s-era Vogue magazine in mind. I've also done colour versions of some with the idea of making prints available (I'll confirm this soon). I also created the book's title typography.
The Book of the Dead is available in two physical versions (as well as e-editions) - the regular paperback, and a limited edition hardback of 100 copies, complete with gold-embossed title on a dark blue buckram cover, wrapped in cloth and sealed with wax! The hardback also includes one of my favourite illustrations of the bunch, for Arthur Conan Doyle's Lot No. 249 - not available in any of the other editions.
Lot No. 249 - a story which features the first appearance of a reanimated mummy in fiction - also appears (without my secret illustration) in Unearthed, a companion volume of eleven classic mummy tales by the likes of Doyle, Edgar Allan Poe and Louisa May Alcott.
You can read Paul Cornell's story, Ramesses on the Frontier, at the Tor website (complete with colour illustration). And I believe the limited edition hardback has sold out (have a look here).
October has seen me explode (well, that might be a slight exaggeration) into social action after a fairly quiet year (except for Edinburgh in August), the reason being that my son is now six months old and starting to get to grips with the world, and allowing me to venture out a little more.
Salleck owner and publisher Eckart Schott met me at Düsseldorf airport and we took the train (accidentally the slow train) to Essen, then a taxi to the Hotel Bredeney where we'd be staying for the weekend. Eckart had already been there for two days as Comic Action had started on the Thursday - a four-day show. At dinner I met Eckart's friend and stand-helper, Klaus, and his lovely wife Denise, and another Salleck guest, amazing Italian artist Elena Pianta (there to promote the second book in German of Don Camillo and Peppone - there are five in Italian).
Opening up the Salleck table for business on Saturday, and first sighting of
Die Regenbogen Orchidee: Die Wette.
After a very good breakfast (Germany does very good breakfasts) we all got the bus for the short ride to Messe Essen where Spiel '13 and Comic Action was taking place. The show was absolutely enormous - three massive halls, mostly dedicated to board games and gaming, but with a small comics section, perhaps something a little like the MCM Comic Village - well, smaller I'd say. Despite that, there was an artists' alley, and also some big publishers, including Panini and Carlsen.
Most of my day was spent at the table, signing and sketching, though I did get to look around the huge venue a couple of times. The range of board games was huge and varied, and several big areas were set out for people to play-test new and favourite board games. Stalls demonstrated their wares, sold dice, figures, puzzles, cards, comics, live role-playing weapons and armour, and toys. The place was heaving with people of all ages as well as families. It was quite a long way from the Games Day conventions I attended at the Royal Horticultural Society Hall in the mid-eighties.
One of the playing spaces at Spiel '13.
On Saturday evening we (Eckart, Klaus, Denise, Elena and I) went to Habana - a wonderful Cuban restaurant on Zweigerstrasse. Eckart was an excellent host to Elena and myself - he really believes in looking after his artists and I'm very grateful for his generous hospitality. Back at the hotel, while I made my way to bed, many of the Spiel '13 attendees were just getting down to a serious night's game-playing, using some of the function rooms until past three in the morning.
Sunday at Comic Action was more of the same. It was lovely to meet so many German comic readers - without exception they were courteous, polite, and interested in my work and I was made to feel very welcome. It was great to share a signing spot with Elena as well. Like me, she did not speak German, though unlike me, she did have a second language: English (and every German I met could speak English too). Her sketches - many straight into ink - were masterful, and she was excellent (and funny) company for the weekend.
Salleck signings: Christoph Heuer (doing some lovely Roman character watercolours), myself, and Elena Pianta.
Sunday was our leaving day and fellow Salleck comic artist, Agata Bara, kindly made sure Elena and I got on the correct train at Essen back to Düsseldorf airport, where Elena flew off back to Italy, and I made my way back to a very windy and rainy UK - luckily not being delayed by the incoming storm. (My first job when I got home was to go out in the dark, blustery and rainy night and wrap wire round one particularly troublesome fence panel which always blows out in high winds).
It was a very nice trip, and I must say a big thank you again to Eckart for having me over for the launch of Die Regenbogen Orchidee - I'm very honoured to have it published in German, and by Salleck Publications.
Publisher Eckart Schott sketches in and signs a copy of Die Regenbogen Orchidee, and me and fumettista Elena Pianta with our books.
With a limited budget, I had decided to do just one big show towards the end of the year, and finally I settled on the Lakes rather than Leeds. Last year's Thought Bubble had been excellent, with my best sales yet (128 books), but I was wondering if I would reach many new readers with the same book for a second year in a row, plus there was the cost of travel and hotels - with no new book out this year some of the financial support given by my publisher in previous years would be lacking (though they still generously contributed a bit), plus my father-in-law, who had provided a welcome waypoint en-route, had moved away.
Despite being a brand new festival on the scene, LICAF showed obvious ambition and professionalism from the very start. Right away you could see they were modelling themselves, to some degree, on the world-famous Angouleme festival, where the whole town is integrated into and supports the show, alongside some local authority funding and assistance. In addition to that it had the feel of a literary festival - treating its subject seriously, its guests as VIPs, and with a well thought-out and full itinerary of events. There was a real buzz about LICAF from very early on in the year. But could all that promise live up to reality?
One thing that put me off was the distance - a 300 mile, 5 hour journey from West Sussex by road. Public transport is out of the question with the weight of the books I have to carry (one box of 22 Complete Rainbow Orchids is 15kg). Thankfully, Colin Mathieson of Accent UK helped to break up that journey by letting me stay at his house in Manchester - still a 4 hour drive, but a lot more achievable in a single run. Plus - any time spent with Colin is an added bonus, his taste in comics and his interest in history can keep us both nattering away for a good few hours!
Kendal - here we come
So after a good night's sleep after a long day's drive, Colin and I set off for Kendal on Friday morning. Arriving via the main route into the town we were instantly greeted with signs and banners announcing the festival. This was not going to be a show that was hidden away, hard to find, or available only to those in the know - this was a town festival, and one all about comics. A walkabout revealed shop windows full of comic characters, art and information - you could not ignore this festival!
The Town Hall, aka the Comics Clock Tower, complete with Batman flag and LICAF banners.
While looking for a suitable place to grab some lunch, Colin spotted Waterstones, and as I was the first signing of the day on Saturday, we decided to have a look. Having been told the signing had been well-promoted I wanted to see where and how my books and others' had been displayed. I was a little disappointed not to see anything in the window, but with so many comics around, and with me not being a big-name creator, that wasn't totally unexpected (at least there were comics in the window - already better than the usual state of affairs in bookshops). Inside there was a lovely table of graphic novels right at the front of the shop, as well as some decent shelf-space nearby in a prime location. Excellent stuff - but no Rainbow Orchid. Perhaps it was in the kids' section? After all, I am usually marketed as a children's book in the UK. We went to the back of the store to find an extensive children's area, but again no Orchids - not even alongside the Tintin and Asterix books. My heart sank. I'm afraid it sank even further when I enquired and was met with panicked expressions and learned that my book had not actually been ordered in. A batch was hastily ordered and I was told they would be at the shop in the morning, in time.
I don't know what went wrong. As well as the graphic novels table, they had a display for another author who was signing in-shop the following week, complete with flyers, which is the kind of thing you expect for an author signing. This has happened to me once before, attending a Rainbow Orchid event at a shop to find no copies of my book, or promotion of any kind - not surprisingly only one person turned up ... the author's nightmare! Luckily it's a rarity.
Sorry to start with a negative - it is not at all representative of the weekend as a whole, as you shall see!
After a sandwich, Colin and I made our way to the town hall, rededicated for the weekend as the Comics Clock Tower, where we both had a table. There was another slight disappointment as early on in proceedings both Colin and I had requested we have our tables next to each other, but the actual floor plan revealed Accent UK on the first floor, and me on the ground floor. This wasn't a big deal, and I'm not going to criticise the unenviable task of the organisers in having to layout a floor plan to keep as many people as happy as possible, let alone organise a festival the size and complexity of LICAF! We were both very impressed with the venue, it had oodles of character.
The ground floor room where I was about to set up my table in the Comics Clock Tower - also the Town Council Chamber. My table was directly in front of the Mayor's seat.
The first comickers we bumped into in the street were John Freeman and Jeremy Briggs of Down the Tubes. We all made our way to the Brewery Arts Centre to get our lanyards, and soon enough more and more recognisable and friendly faces were coming into view - I won't even attempt to list everyone! After booking into the Premier Inn (where the reception staff were dressed as superheroes) we had a lovely meal at a little Italian restaurant with the other half of Accent UK, Dave West, and his family - and then it was off to bed where I, unfortunately, had a very bad night's sleep and a complicated dream sequence, perhaps triggered by some slight anxiety about the upcoming first day of the show (not something I usually experience).
Saturday
After breakfast (the Premier Inn was full of comics folk) it was off to the Clock Tower to finish setting up, and then, just as the doors opened to the public, I had to make my way to Waterstones for my signing. I wasn't too keen on abandoning my table just as the crowds came in, and I have to admit that a naughty thought entered my head ... "I won't mind if they don't have my books." As I entered Waterstones I saw a table with my name on, but no books. They still hadn't arrived. I gave the manager my mobile phone number and she said she'd contact me as soon as they were in and I could come back and sign them, either at another signing session or just for stock. I was quite happy to get back to my table at the Clock Tower, and I got right into a number of sales and book signings on my return. I never did hear from Waterstones, but perhaps it all worked out for the best. The only regret is not having my books available in the shop.
I had excellent table neighbours for the weekend. On my right was Shane Chebsey of Scar Comics, who I have known for a number of years - as a publisher he had a full 6-foot table to himself. I was a creator so was sharing a table with another creator, the talented Kristyna Baczynski, delightful company and a very interesting artist.
The table I shared with artist Kristyna Baczynski.
There's not much interesting I can say about manning a book table for a full day. It is always absolutely lovely to meet and hear from people who enjoy my book, in fact I even think it's vital as far as my continuation with the series goes thanks to the first-hand feedback and enthusiasm received - a great battery recharger. Getting to introduce new people to The Rainbow Orchid, whether they buy it or not, is also an important aspect.
And here was one of the best things about LICAF - the variety of people coming into the Clock Tower. Most comics shows are for already-existing fans of comics (nothing at all wrong with that!). We've been spoiled this year with the excellent Stripped strand of the Edinburgh International Book Festival, where comics and a mainstream audience crossed paths, and the same happened at LICAF. Many families with children were present, more than you usually see at a comics festival, and I spoke to a lot of Kendal locals who came in to see what all this comics stuff was about. Most were impressed, and some even bought a copy of my book.
Whether this is something that can be built upon, to attract families and non-comics people from slightly further afield, will be an interesting challenge for future years. It's exactly the kind of thing we need to expand the readership of what has become, over the past few years, a very strong, lively, and diverse scene.
Saturday night saw another meal with the Accent UK families (Colin's wife had now joined us), this time at the Premier Inn restaurant (and very good it was, too), and then to bed, this time a much better night's sleep after a very full day.
Sunday
The weather for the weekend was dull and rainy, but not cold. Sunday in the Clock Tower started more slowly, but after a couple of sales things started to build up again, and the second day got under way. On Saturday I seemed to be selling mainly to people who already knew and loved comics, whilst on Sunday there seemed to be more of the 'public' around - many of them buying their first comics since childhood, or ever. Sunday also saw a few of the VIP comics guests getting a look around, and I made a few sales there too - which is always a pleasing experience. (I would prefer if everyone with a lanyard had their name on it instead of, or as well as, 'creator' or 'publisher' - I often know the names via online social networks but not always the faces).
The question amongst all those who had a table in the Clock Tower was "how's sales?". Some reported doing very well, a couple I spoke to were very disappointed. The majority seemed to be reaching their thresholds, just making it worthwhile - myself included. Of course, these shows are not all about sales - there's much more to gain from them than that, as already stated. When I got home I took stock and found I'd sold 52 books in all. I tend to hope for 60-70 or more for a two-day show, but there were so many other positive aspects to the weekend, and I got a lot more out of it than what went into my money box.
Some fabulous Grandville cosplay from a representative of the
excellent Crooked Dice Game Design Studio.
I must make special mention of all the LICAF red-shirted helpers. Several times throughout the weekend they appeared at our tables to ask if we needed anything, often bearing bottled water, cups of tea, and even cakes and fruit! And all with a smile. A kitchen was available for sellers with refreshments freely available. The organisation and attitude of the entire festival was first class.
Finally it was time to pack up and get all my stuff back to the car. As well as the help of the always-generous Jeremy Briggs, I had invested in a fold-up trolley that proved very useful on its first official outing.
Jeremy, Colin, Colin's wife, and myself all went for one last meal, this time at Pizza Express (I'm afraid I did make the bad joke of a 'an Englishman, an Irishman and a Scotsman (and Scotswoman) walk into a ...' well, not a bar, but a restaurant. Yet another very nice meal was had (it must be the company), and the festival ended with Jeremy leading me out of Kendal's complicated one-way system. Jeremy might have to become my approved comic festival usher, as he provided a similar role in Edinburgh, walking me to my bus stop at the end of the day.
Home
My journey back to Manchester was through very heavy rain, but I made it safely back to Colin's for one more night, before my four-hour (plus half-an-hour lunch stop) journey back home. (That's the longest I've been away from my children - four nights - and it was lovely to get a huge hug and much dancing and laughing from my two-and-a-half year-old daughter when I appeared at the front door; even my 6-month old did a double-take when he saw me again, before breaking out into a big grin. Choke!)
Overall, the Lakes International Comic Art Festival was a very worthwhile trip. I had more time for social interaction than I did at Edinburgh, made decent enough sales, met a lot of interesting and interested people, had some lovely table-mates, and had a jolly good comicky time. There's an indefinable something extra that makes a successful comics show - something to do with the atmosphere and general feeling, and LICAF had that positive aspect on top of everything else.
Huge congratulations to Julie and Sharon Tait, Jenny Graham, Bryan and Mary Talbot, Sean Phillips, Owen Michael Johnson, and all the LICAF team and helpers. I'd definitely do it again.
As a special offer I will be selling The Complete Rainbow Orchid for the ridiculously attractive price of just £10 - probably the last time I'm going to do this at an event because it doesn't do much for my bank balance! But it is quite good for sales of my book - so please come along and buy yourself a lovely big adventure comic from me :-)
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