Comics (127)
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Webbledegook (84)
Work (38)
total posts: 650
Book agent:
A. M. Heath
UK Publisher:
Dutch Publisher:
Silvester Strips
Spanish Publisher:
NetCom2 Editorial
French/Belgian Publisher:
BD Must Editions
German Publisher:
Salleck Publications
Danish Publisher:
Guardian Unlimited:
blog of the day 29.04.2004

Webbledegook: news and stuff
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Jutland - 100 Years
Tuesday 31 May 2016
It's 100 years since the Battle of Jutland, so I thought I'd reprint this post, originally written for Remembrance Day in 2004, about a cousin of mine who died aboard HMS Invincible on that black day of 31 May 1916 ...

Mark William Cameron was born at Parkhurst Barracks at the beginning of 1884, his father being a Sergeant in the Seaforth Highlanders, stationed there after returning from service in Egypt and Afghanistan. His mother was only 18 at the time, and had married his father just five days before he was born.

Mark joined the Royal Navy, possibly inspired by his father's tales of campaigning in exotic lands for the British Empire, and perhaps also by distant tales of his great-grandfather, who had battled Napoleon's forces at Waterloo. As the new century began, he found himself as a Boy, 1st Class, aboard H.M.S San Pariel after stints on the Caledonia, Minotaur and Agincourt. In 1910 he married his cousin Margaret, daughter of his uncle Donald who had served abroad with his father in the 72nd Foot. In 1913, with the British and German Navys trying to outbuild each other as European tensions grew, he was in the Gunnery School aboard H.M.S Excellent, before being promoted to Gunner and joining H.M.S Invincible - the world's first battlecrusier - at its commissioning on 3 August 1914.

"The First World War had begun. In the northern mists the Grand Fleet (21 dreadnoughts, 8 predreadnoughts, 4 battlecruisers, 21 cruisers and 42 destroyers) was at its war base in Scapa Flow, under the command of Admiral Jellicoe. Diagonally across the North Sea the German High Seas Fleet (13 dreadnoughts, 16 predreadnoughts, 4 battlecruisers, 18 cruisers and 88 destroyers) were assembling in the River Jade under the command of Admiral Von Ingenohl." - V. E. Tarrant.

Invincible was involved in three actions. It had a small part to play at Heligoland Bight later in August, and then in December was involved in a naval battle against Vice-Admiral Graf von Spee at the Falkland Islands. But the Invincible will be forever associated with the Battle of Jutland, on the last day of May in 1916, when at 6.34 p.m a salvo from the Derfflinger penetrated the 7-inch armour and causing explosions in the gun-house, turret and the magazine, rent the Invincible in two, sinking it and killing 1,019 men. There were only six survivors, and Mark Cameron was not amongst them.

A direct hit on HMS Invincible

To boys who had grown up with the heroic deeds of their grandfathers, fathers and uncles, or the gallant officer adventurers in the novels of G. A. Henty, who had read of the brave thin red or khaki lines defending outposts against Zulus at Rorke's Drift, or Afghans at Kam Dakka, and where casualties rarely exceeded fifty on a bad day, or a few hundred on a disastrous day, the Great War will have come as a shock. Over 21,000 Britons killed in the first day at the Somme in 1916, and 6,000 Britons and 2,500 Germans lost to a watery grave at Jutland is a severe lesson indeed.

Mark William Cameron, 13 Jan 1884 - 31 May 1916
posted 31.05.16 at 6:34 pm in Family History | permalink | |

Locate that landmark!
Tuesday 19 April 2016
Something I've been working on for a couple of months went live yesterday, a little web-game/quiz called Locate That Landmark. It's quite simple - you have a certain amount of time to locate and identify as many UK landmarks as you can. Do really well and you can get your name up on the leader board.

I didn't create the game, that was done by people far cleverer than I - but I did illustrate the map and all 100 locations - rather a mammoth task (especially all those cathedrals!), but enormously interesting, fun, and educational too.

As well as an online game, the map is appearing on JCDecaux digital screens across the nation over the next four weeks - so let me know if you spot one at a train station, airport, shopping mall or bus stop, etc.

It was very nice to be working with JCDecaux again - you'll remember that I did the Arni comic for them last November (see if you can spot Arni on the map). Both these jobs have been a challenge, but really rewarding, and both have given me the opportunity to up my game and increase my skills - so thank you to Russell Gower and Janet Guest and their team for that!

posted 19.04.16 at 3:46 pm in Work | permalink | |

I'm Still Here
Monday 4 April 2016
I'm not going to break any records for posting blog entries, but I haven't quite disappeared off the face of the Earth just yet!
I've had a busy start to the new year, especially with one particular project that I've just completed - hard work, enormous fun, and I'll blog about it more when it sees the light of day later this month.

Julius Chancer has never been far from my thoughts and I've managed to get back to a bit of work on the next book again. It's frustrating (for you and me!) that's it's so slow, but money-earning work has to take priority, and that's not the comics, I'm sorry to say.

For now, here's some costume colour guide roughs for characters from the opening scene of the new book.

posted 04.04.16 at 11:21 am in Julius Chancer | permalink | 3 |

Star Wars: The Force Awakens
Saturday 23 January 2016
With two young children and a small business to run, going to the cinema is a rarity for me these days. However, in 2015 I doubled up on the previous year's record, and managed to see two films on the big screen ... Spectre and Star Wars: The Force Awakens.
Both were driven by nostalgia to a large degree. We always used to go and see the new Bond film at the cinema ... I particularly recall seeing Moonraker, but I think The Spy Who Loved Me (1977) was the first. But just six months later my life would change, because that is when I went to see Star Wars (at The ABC in Tunbridge Wells, now sadly flattened).

Up until then it was war - comics, toys, models and films - that were my main preoccupation, but I mostly dropped that after Star Wars, and science fiction and adventure became my new obsession.

It was a great time to be a young kid. After Star Wars came Superman, The Empire Strikes Back, Flash Gordon, Raiders of the Lost Ark, Superman II, Time Bandits, Clash of the Titans, E.T, Conan the Barbarian, Blade Runner, Tron, The Dark Crystal, War Games, Indiana Jones and the Temple of Doom, Ghostbusters, and Return of the Jedi, to name a few that have stood the test of time.

And it's nostalgia that is at the heart of The Force Awakens - an aspect that is partly responsible for its huge success, but which has also been one of the main points of criticism of the film.

I enjoyed it immensely, but then perhaps the film was rather aimed at me and those like me, and it pushed all the right buttons. I liked it so much that I started 2016 by going to see it again, and was not disappointed with a second viewing and with the hype somewhat cooled.

It's nice seeing the old faces again, but the best thing about the film is the new faces: Rey is an intriguing and positive main character, Fin is entertaining and hugely likeable, and the dark side offers up a very interesting personality in the guise of Kylo Ren.

Unlike some critics, I didn't mind the plot parallels with the original Star Wars. I think it's a trait of the series (or perhaps the Force) that patterns repeat, and I'm not surprised, after the reception that greeted episodes I-III, that the writers and producers wanted to play it safe to get the new franchise off the ground.

My worry is that the creative team behind episode VIII, slated for late 2017, will give too much attention to the voices of the fans when they come to map out future instalments. While, as I said, I loved every minute of The Force Awakens, it has also, actually, given me a greater appreciation of the originality and vision of George Lucas's prequels.

I re-watched them over the past couple of weeks, for the first time in a long time (in fact, in the case of episode III, for the first time since seeing it just once at the cinema) and was pleasantly surprised. Jar-Jar Binks wasn't as annoying as I, perhaps, mis-remembered, and I even found young 'Anni' likeable and somewhat sympathetic. Certainly the over-baked scenes with Hayden Christensen and Natalie Portman are a bit difficult to watch, but I got a better sense of Anakin's path to the dark side by seeing all three in sequence. I surprised myself by really enjoying the last of the three, even Darth Vader's "Noooooooo!" didn't seem half as bad as I recalled.

The setting of the prequels is a feast for the eyes, and I think the story just about works - especially if you immerse yourself fully into the fantasy. This isn't science-fiction, after all, it's pure space fairy-tale!

Was Lucas largely criticised for being original? For telling the story he wanted to tell, and not the one his films' keenest fans wanted (ie. a more Star Wars-y Star Wars). Are those who are criticising The Force Awakens for being too much like A New Hope the same people who criticised The Phantom Menace for not being 'Star Wars' enough?

I'm not saying the prequels were perfect films, not one bit. I do wonder if, because of what they are, they are put under a great deal more scrutiny than would ever be directed at the original trilogy. Episodes I-III are world-building, background, nerd-notes. I shed myself of some of the internet stigma that has built up around them, and found I enjoyed them more than I thought I would.

We've had our nostalgia moment with The Force Awakens, and that's brilliant. Now let's hope we move forward into new territory, where quality storytelling will prevail over commercial interests and fan pressure. I want to see the new characters grow, and I'd love to see Luke Skywalker - the kid that started it all - used intelligently, with new aspects revealed, giving impetus to the new series, so that a long time ago, in a galaxy far, far away, has a bright, absorbing, and exciting future.

posted 23.01.16 at 1:13 am in Film | permalink | 4 |

Happy Christmas 2015
Thursday 24 December 2015
Rather late this year, but I wish all my readers and friends a very merry Christmas, and I hope lots of good things come to you in 2016. There will be new Julius Chancer - I promise. Thank you, as ever, for your continued support!
posted 24.12.15 at 11:53 am in Julius Chancer | permalink | |

Arni ends!
Friday 27 November 2015
Today sees the final instalment of Arni's Epic Adventures! It's run on JCDecaux digital screens all over the country since November 2nd, with a new strip every week-day. Although today's is the final episode, you can still catch up with all of this last week's episodes if you see a screen over the weekend.
It's been enormous fun and a really interesting project (you can read a little interview with me over at the beframeus Facebook page). I've learned a lot from doing it, but overall it's been a success, I think. And there's been some really nice feedback - a big thank you to everyone who tweeted, shared or commented, and especially to all those who took photos of the screens - it's been great seeing them out there.

posted 27.11.15 at 1:27 pm in Comics | permalink | |

Arni - still flying
Wednesday 18 November 2015
On Monday Arni entered his third week of publication - publication, in this case, meaning appearing on thousands of digital screens across the UK in various open and out of the home spaces, such as railway stations and shopping malls. This is comic art in the public arena, reaching millions of eyes that may not otherwise get to see comics - pretty exciting!
Here's a few of the screens, as photographed by a variety of Tweeters and Facebookers (as credited). Arni's Epic Adventures runs until the end of November - let me know if you spot him!

Follow Arni's adventure on Twitter with the hashtag #ArniStory.

posted 18.11.15 at 11:58 pm in Comics | permalink | |

Arni's Epic Adventures
Saturday 7 November 2015
If you follow me on Twitter you may have noticed that I've been going on about Arni a lot this past week. But who is Arni? What's going on? I'm glad you asked ...
Arni is a little red bird (a Pine Grosbeak, actually) who was having a lovely snooze in his favourite tree when he was rudely awoken by the sound of a chainsaw and his tree was carted off on the back of a lorry. Arni loves that tree, so he's decided to follow it, but that turns out not to be as easy as he'd hoped, and a series of exciting little adventures ensue.

The strip was commissioned by JCDecaux - "the number one outdoor advertising company in the world" and provider of those digital screens you see everywhere at railway stations, shopping malls and airports. The basic concept and the character idea is theirs, while the realisation of the idea (script, design and artwork) comes from me. He's appearing on JCDecaux screens across the UK, one strip per working day (with catch-ups at the weekend) throughout all of November - twenty strips in all.

As I write, I've still got the last few pages to draw - a little nerve-wracking as the story began its run on Monday November 2nd - but I'm really enjoying it. Even as I wrote the script I knew I was setting myself a challenge with a fair number of testing environments to draw, including depictions of lorries, ships, cranes, and city scenes, many of them from unusual angles - and all with a rather tight deadline. But nothing gets you to do your best like a story that pushes your abilities - and a tight deadline!

A further challenge has been that JCDecaux have two different screen formats ... the Digital-6 is a portrait screen and the Transvision is landscape. As D6 screens vastly outnumber the TVs, I've drawn primarily for that mode, but have then had to re-compose the artwork for the longer, narrower format, often having to cut away some of my artwork (wince!). For me, the definitive versions are the D6 pages, but it's the more screen-friendly TVs that are being published online.

JCDeacux host thousands of screens across the country, many at major railway stations, roadside locations and big shopping complexes, reaching half of the UK population (they reckon 30-40 million). The strip is wordless and appears on screens for 5, 6 or 20 seconds and is being billed as "the first graphic arts story to be commissioned for digital screens" (the big ones, anyway!).

A big thank you to Russell Gower and his colleagues at JCDecaux for giving me the opportunity to work on such an exciting project. I hope you'll come across Arni on your travels throughout the following month - you can follow the strip's progress on Twitter through beframeus and ArniBird - and if you see a screen, do let me know, and tweet a photo if you can!

posted 07.11.15 at 11:15 am in Comics | permalink | 2 |

Vienna Comix 2015
Saturday 10 October 2015
The weekend of October 2nd to 4th saw me travelling to Austria and its capital city of Vienna for Vienna Comix 2015. I was invited by my German publisher, Salleck Publications, for the launch of the third volume of Die Regenbogen Orchidee, this time with the sub-title of Die Vergessene Welt ('The Lost World'). The book also contains a German translation of The Girdle of Polly Hipple in colour.

Of course everyone has asked me what I thought of the beautiful city of Vienna - and, as with my previous European adventures, I honestly can't say! I spent the majority of my time sat behind a table sketching in books and chatting with German and Austrian comic fans - the reason I'm lucky enough to be there. I didn't even see much of the rest of the comic show. I saw a little of the city - through a car window, or taking the Viennese U-Bahn and then walking to the venue with some of the other artists (including Don Rosa, Francois Walthery, Thomas Cadene and Davide Fabbri) - and Vienna does indeed look very nice.

That's not to say I didn't enjoy the weekend - very far from it, I had a wonderful time (and was put up at a lovely hotel - Hotel Kummer on Mariahilfer Strasse). I was particularly pleased to spend so much time with my fellow Salleck author, Belgian artist Francois Walthery, creator of Natacha and long-time assistant to Peyo of Smurfs fame. He didn't speak English and I didn't speak French (well, each a very little) but we bonded over a mutual love of 60s British/US Blues icon John Mayall - and comics of course. Francois, as he said himself, has been drawing comics since the formation of The Beatles (though comics have not made him as rich, he added!).

A big thank you to Eckart Schott for the invite and the hospitality, to Wolfgang Klingel for the company, conversation and translation services, to Johannes Seybert and Michael for the chaperoning and airport transport, and to everyone who said hello (including the pleasant surprise of meeting Dirk Verschure again, last seen in Haarlem attempting to make my then baby daughter laugh), or who bought my book, or even just showed an interest ... danke!

posted 10.10.15 at 12:14 am in Julius Chancer | permalink | 3 |

WWI stories: Henry Walter Betsworth Stewart
Tuesday 14 July 2015
One hundred years ago today Henry (aka Harry) W. B. Stewart was killed on the Galipolli peninsular.
He was born on 16th September 1894 in Willowbank Crescent, Glasgow. His family had just a few months earlier moved from Dundee as his father, Samuel Stewart, was to take up a new post as gymnastics instructor at Glasgow Academy. His mother was Betsy Meffan Phillip, eldest child of Andrew Phillip and Betsy Rough.

By age 16, Harry worked as an apprentice for a shirt manufacturer, but by the time the war came, in 1914, he was working for ship owners J&A Roxburgh. He wasted no time in enlisting, with the 5th Battalion of the Highland Light Infantry, and in July 1915 he landed with his company at the Dardanelles.

I have not been able to access the war diary of the 1/5th H.L.I., so I do not know the exact details of the battalion's movements on 14th July 1915, the day Harry was killed, except for a report that they were "on general fatigues south of Backhouse Road [trench]". They had seen a fair bit of action in the previous few days, and several men's lives were lost to the deadly Turkish snipers that kept a constant watch on the British positions.

Harry's younger brother, Andrew Stewart, a Lieutenant in the King's Own Scottish Borderers and the winner of a Military Cross, would die in 1918, leaving just two sisters and a brother with their parents (Samuel was stationed at Gailes, training recruits). I've also written about the death of his uncle, Alexander Phillip.

Harry, who had been promoted to Lance Corporal in the short time he served, was just 20 years old. His memorial on the family stone in Glasgow's Western Necropolis states "asleep on Achi Baba".

posted 14.07.15 at 12:41 am in Family History | permalink | 4 |

Copenhagen Comics 2015
Monday 15 June 2015
Last Friday (5 June) I flew out of Gatwick on Norwegian Airlines for my first trip to Denmark. This was to attend the Copenhagen Comics festival where the first volume of the Danish edition of The Rainbow Orchid (Jagten På Regnbueorkidéen) would have its official launch.
I'd actually been invited to two other shows this weekend - the Munich Comics Festival, by my German publisher, Salleck, and the Bulles de Mantes La Jolie in Paris, by BD Must - but Copenhagen beat them to it. It's nice to be wanted, and I wish I could have somehow managed all three!

But I'd wanted to attend the Copenhagen event, which is held every two years, for a while now, after hearing positive reports from Colin Mathieson and Dave West of Accent UK, who both thought my book would find an appreciative audience there. When Danish publisher Tellerup added my book to their list late last year, the possibility of attending became a reality - and for that I must thank my champion at Tellerup, Michael Larsen, the Danish Arts Foundation, and Copenhagen Comics themselves.

I'm not a big fan of flying, but - though I'm not religious - there were about 20 or more members of the Salvation Army brass band on my flight, so I knew I'd be okay! Michael met me at the airport and we took the train into Copenhagen, hopped on a bus to my hotel (Hotel Sct. Thomas in Frederiksberg, right next door, it turned out, to Copenhagen's Salvation Army HQ) where I checked in and freshened up, and then we took the bus back into the city where we met the rest of the Tellerup team for dinner, at A Hereford Beefstouw, right next to the famous Tivoli Gardens.

The Tellerup team consisted of Michael, Thomas Schrøder and his wife Lise, Harald and Louise Tellerup, Valdemar Tellerup and one other chap, whose name didn't quite reach my ears (sorry!) [Edit: it was Steen]. They are a wonderful bunch and I feel very pleased indeed to have my work published by them.

After dinner Michael and I took a bus to Nyhavn - the 17th-century harbour that was once home to Hans Christian Andersen. Michael is an excellent tour-guide and he provided tea and good conversation, especially with his interesting insights into acting - something we've both been involved in.

The bus journey back led to a little adventure - Michael got off before me and I remained on board with a man who seemed insistent on informing me about (I think) his savings, the Danish tax rate, and the government (there's to be a general election this month). Whether it was due to this or my own lack of awareness, I wasn't sure which stop to get off at, so I took a chance and then used my 'intuition' to walk in what I thought was the right direction. My intuition was as good as random chance (unsurprisingly) and I soon realised I was going the wrong way. But purely by chance I had come out with a city map in my back pocket, and purely by chance I decided to examine it just as I was about to walk off the edge of it. A 20-minute walk got me back safely to the hotel!

I was staying in the same hotel as Colin and Dave of Accent UK and so I was able to meet them for breakfast the next day. Making up the rest of the Accent UK team were West Noir artist Gary Crutchley, and Colin's son Scott, and all four were terrific company all weekend, starting with breakfast each day.

Day one of the festival was hugely enjoyable - I was busy signing and sketching for most of the day and I met a ton of marvellous comic creators and readers. From my last German trip it was lovely to reacquaint myself with Tatiana Goldberg, also published by Tellerup and whose fantastic book, Anima, was shortlisted for a Ping Award (the winners were to be announced that evening); also Frank Madsen, Sussi Bech and Ingo Milton. I was also delighted to meet (all too briefly) Lars Jakobsen, creator of the fantastic Mortensen books - which Colin had turned me onto a couple of years previously.

At midday I was part of a panel discussion about drawing kids' comics, chaired by Michael Andersen and alongside comics superstars Luke Pearson and Thomas Wellmann. It was interesting that none of us had intentionally created a comic for children, we'd all made comics as something we, ourselves, wanted to read. Being comics for children had more to do with marketing, though all-ages content and clear storytelling were certainly aspects that perhaps made our books more widely accessible - not, we agreed, exclusively for a young demographic, but for a mainstream, even non-comic reading, truly all-ages audience.

Another friendly face present in Copenhagen Comics that weekend was Clíodhna Lyons, who was literally flying the flag for Irish comics, as well as her own gorgeous work. I'd last seen Clíodhna at Angoulême, so even though she only lives 30 miles away from me, we only seem to get to say hello when in mainland Europe. Along with the Accent UK guys and a number of friendly Danes, she was excellent company all weekend - and I owe her a drink in return for the enormous orange juice she treated me to at Cafe Obelix that evening.

The second day of the festival was another good one, perhaps a little slower than the Saturday, but I was still busy enough signing to keep me from clock-watching, with enough space this time to allow me to stretch my legs and have a wander around the Danish comics scene, which, I'm pleased to report, is friendly, full and fascinating.

One nice thing that Tellerup had organised was an exclusive Rainbow Orchid poster, free to anyone who bought the book at the festival. It was a big one - 70 x 100cm - and a common sight was to see people carrying them around in their special Tellerup poster boxes. I'd drawn this in spare moments during a very busy period of work, but was pleased to see that it had come out all right!

I was very pleased to make the acquaintance of another talented Dane, Thomas Friis Pedersen (who uses the pen-name Thop), creator of Flix & Flax and Zombie Kravlenisser (as well as The Great Zardini, which really gave me a good chuckle) and is another Tellerup author. And it was good to meet Árni Beck Gunnarsson too, for whom Thomas and I collaborated on a little jam sketch!

Sunday evening saw a lovely dinner at The London Pub on Godthåbsvej with Clíodhna, Accent UK, and Søren Pedersen, founder of the famous Fantask comics shop, and his wife Vibeke. As with every evening, much conversation was had, including subjects as diverse as Japanese film, potatoes, the Gay Gordons, and, of course, comics.

On Monday morning it was time to return home. A slightly earlier breakfast, again with the magnificent company of the Accent UK team (Colin was torn between a Danish pastry and accompanying me to the station, luckily reason prevailed ... the Danish), before I said my goodbyes and walked off to Copenhagen Central for a train to the airport. Despite a slightly delayed flight I was home by 3pm, and I even managed to summon up the energy to get myself to that night's karate training.

So, did I enjoy my first visit to Denmark? Most certainly. Would I go again? Absolutely. The Danish comics scene was enormously welcoming and I had a terrific time. Huge thanks to Tellerup, especially Michael Larsen who made the whole thing happen, to the Danish Arts Foundation for help with funding, and - by no means least - to Steffen Rayburn-Maarup and the Copenhagen Comics team for having me as a guest. I feel very lucky and honoured that I got the chance to go.

posted 15.06.15 at 11:38 pm in Julius Chancer | permalink | 12 |

Danish cover
Thursday 7 May 2015
With volume one of the Danish edition of The Rainbow Orchid currently at the printer's, I thought I'd show you the cover.

Yes, I know it's the same cover that's been on all the editions, but I particularly like the title design here - I gave it a slightly larger 'O', even though it's all one word in Danish, and spent a little more time on shaping it overall than I have on some of the other editions (oh how I'd like to rework the English one!).

The book itself will be published by Tellerup on 28 May, and the launch will be at Copenhagen Comics (June 6-7), at which I will be a guest.

I have drawn a new piece of Rainbow Orchid artwork for a promotional poster, but I'll leave that to be revealed by Tellerup at the festival, so no sneaky peeks just yet! Oh, okay, maybe just a little one ...

posted 07.05.15 at 3:04 pm in Julius Chancer | permalink | 5 |

Upcoming events
Tuesday 14 April 2015
Not many this year, but a couple of good events coming up on the horizon to tell you about.
The first is aimed at librarians and will take place at Crawley Library, West Sussex, on 18 May, where I'll be on a panel addressing the issue of reaching reluctant readers (something comics do very well!). My fellow panelists will be Helen Dennis, Mo O'Hara, and Lisa Williamson. You can book tickets here.

On the weekend of 6-7 June I'll be at Copenhagen Comics in Denmark for the launch of the Danish edition of The Rainbow Orchid vol.1 (Jagten Pa Regnbueorkideen, published by Tellerup). Long before a Danish edition was even a possibility I had wanted to visit this festival, largely thanks to the enthusiastic reports brought back by Colin and Dave of Accent UK, who will also be attending this year. I'm very grateful to the festival, Tellerup, and the Danish Arts Foundation for making this trip a reality.

posted 14.04.15 at 9:59 am in Julius Chancer | permalink | |

What's happening?
Friday 3 April 2015
To those still watching, you might be wondering what has happened to Julius Chancer since I boldly declared (last September) that I would be blogging the first three pages of his new adventure.
At the end of November I posted some finished art for the first page and suggested that the next two pages might be available to read in the new year, but since then ... nothing! The main reason has been work, work, work.

During the time I was drawing The Rainbow Orchid I experienced quite a downturn in my regular commercial work, and therefore my income. This was because in order to get the comic finished I had to turn away a fair bit of paying work, a difficult decision to make! Since the book has been completed I've had to build things up again, and the last couple of years have not been hugely fruitful.

This year, so far, has been better - things are looking up, at least for the next three months or so, and I've been saying yes to most of the projects that have come my way (and I'm very lucky to have some really nice assignments at the moment). The obvious result of this is that I'm very busy prioritising my paying clients, and that sadly leaves little to no time for my own stuff.

Ordinarily these two aspects of my work should run along nicely together but I have probably taken on a little too much work right now - possibly in reaction to last years' drought, but also because the urgency to earn money has increased, with my wife (a writer and editor) going freelance and with two small children to care for, and who knows if work will keep coming or dry up again for a bit.

I have been trying to think of solutions ... should I dive into the world of crowd funding (eg. KickStarter) or perhaps a system such as Patreon might be better? I'm not sure I'd be able to raise much this way - because of mainstream distribution with The Rainbow Orchid I'm not connected to the majority of my readers online, so I don't know if there's a good support base out there I can reach.

Either way, Julius Chancer is not dead - I'm too excited about this next story. It is better than The Rainbow Orchid, more original, more exciting, more mysterious, and my art and writing have improved a lot (I think). It will happen and I will try my best to get some new stuff to you as soon as I can.

Thanks, as ever, for staying with me!

posted 03.04.15 at 8:10 pm in Julius Chancer | permalink | 8 |

Scrapbook: the original
Wednesday 4 February 2015
Despite looking at the scrapbook spreads for volumes one, two, three and The Complete Rainbow Orchid (see previous entries), I haven't quite finished with scrapbook posts!
In 2003 I self-published part one in black and white, and as part of the extras I included a page of sketches and a scrapbook, which is where the idea started - you can see it below.

If you'd like to look at some of the scrapbook items in more detail then you can have a look at the Julius Chancer Facebook page where there's an album dedicated to them. If you're not already joined up to it, please do! I often publish little bits and bobs there that don't appear anywhere else.

posted 04.02.15 at 10:50 am in Julius Chancer | permalink | |

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