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Post Referendum
Thursday 30 June 2016
I was quite an idealistic kid. When I was young I had an Usborne picture book about the future - it had a couple of illustrations that showed two possibilities ... One was positive, with monorails, greenery, clear blue skies, shiny technology and open spaces. The other was grimy and dark, polluted, it was overcrowded and people had to wear masks to breathe. I was very aware that either of these was a real possibility depending on how we treated our planet and its people, and those images have always stayed with me.
I grew up in the 1970s and even as a kid I was vaguely aware of power cuts, strikes, the IRA, and something called politics, but it was all very distant to a young child who preferred to live in a world of adventure stories, comics and science fiction. In the 1980s however, things changed. The world suddenly seemed a more dangerous place, with the USA and the USSR at each other's throats and nuclear war seeming a very real possibility. We watched Threads at school and I took instructions on how to build a fallout shelter at home very seriously. Mum bought a little store of tinned foods and essentials that she kept in her wardrobe - just in case.

Then came the 1990s. Nelson Mandela was released from prison and Apartheid ended in South Africa. The Berlin Wall came down and Germany was reunified. Margaret Thatcher resigned. Gorbachev was reforming the Soviet Union, and the Communist bloc fell apart. The IRA called a ceasefire. The Israeli Prime Minister shook hands with Yasser Arafat. Of course not everything was rosy, but there was a feeling of optimism, of the possibility that the world might actually be getting better. People were coming together to try and make it happen.

That all pretty much ended on 11 September 2001. It wasn't just the attack on New York, it was the response: war. But worse than that, it was war based on lies. I've always had a strong sense of justice - of believing in what is right. Things should be done for the right reason, people should be treated as fellow human beings. For someone whose childhood was rammed full of war comics and toy soldiers, I ended up as quite the pacifist. Again, that naive idealism - as I was discovering music I was captivated by the Woodstock film and the ideals the movement strained for. I knew they were unachievable, but I couldn't help falling for it.

A week ago, the British public voted to leave the European Union, 52% to 48%, it was a close-run thing, but in a one-person/one-vote poll, the answer is unequivocal - of the people who voted, the majority think we're better off out. As a 'Remainer' (see my last post) I was devastated. Most of my friends have been devastated too, and across social media we've been discussing the fallout, sharing links and trying to understand what happened - and why.

'Leave' voters have often been unsympathetic, confused by our reaction, and even angry at us. Why don't we just accept the will of the people and shut up? Why are we such sore losers? The fact is, it's not about losing - that's fine, I've been on the losing side far more than I've experienced victory - I'm a very good loser.

No, this is the feeling that an injustice has been done. Before the day of the vote it was clear that most people who intended to vote Leave were doing so largely based on lies and misinformation, either distributed directly from the leaders of the 'Out' campaign, or borne of prejudice that had no connection to the EU, as well as ignorance of the EU itself.

350 million will be saved and will go to the NHS, they said - a lie so often debunked, but repeated and bluffed through right up until voting day (and then brazenly denied after it). Our economy will improve, they said - a prediction that blatantly flew in the face of the advice of almost every financial and business expert out there. We're ruled by an undemocratic elite who impose on us the majority of our laws, they said - a soundbite misunderstanding of a system that is complex, but actually just as democratic as the UK government (if you care to look) and whose laws are not as numerous or binding as is often claimed, many of which greatly benefit us and protect us from greedy government and over-reaching big business.

And then the big one, the issue on which the vote was probably won: immigration. We'll take back control of our borders, they said, we'll stop them leeching off the system and taking over our jobs and towns, we'll stop the hordes of refugees piling into the country. It seemed they were trying to out-Trump Trump. The Remain camp were not effective in getting the truth of the matter out: we already have control of our borders, they are not open like those of countries who are part of the Schengen Agreement; leaving the EU will not curb immigrants and refugees who are not EU citizens; the refugees you saw crossing into mainland Europe will not be coming to the British Isles, Turkey are years away from joining the EU, immigrants contribute more to our economy than they cost; they staff our NHS, our universities, our laboratories, they are our friends and our neighbours.

But prejudice won out. Sometimes the reasoning was genuine but misplaced - there are people with real grievances, who cannot get employment, for instance, but who look to immigrants for blame. Much of the feeling is anti-Muslim, some of it just plain old xenophobia aimed at anyone with a different accent, language or shade of skin tone. It's nothing to do with the EU (unless you believe the conspiracy theories of Eurabia - and many do, just as Anders Breivik did).

The racist group Britain First has seen a huge rise in membership of its Facebook page since polling day, and currently has the support of almost 1.5 million people. The gap between the winning Leave vote and the Remain vote was 1.2 million people. Since the referendum results were announced, UK hate crime has increased by 400% - some of the stories have been heartbreaking.

This was not a General Election. Leaving the EU will have international ramifications, but the epicentre is here in the UK, and those most affected will be the young - many of whom could not vote. The EU has its problems, not everything about it is good - but, in my view, the good far outweighs the bad. It has helped to keep the peace, it has provided a united voice, it has helped countries to raise their game. It was born in the hope of post-war Europe and updated in the renewed hope of the 1990s. Britain was a maverick member, we refused to sign up to everything - we forced compromises. We kept our sovereignty, but we had a voice - and we could have still had a voice in the development of a better EU, one that could have genuinely made the world a better place.

Now the EU hates us - they don't want to give us concessions, it's in danger of falling apart. The far-right have been emboldened across the continent, rubbing their hands with glee at the result in the UK. All the people I admire - artists, creators, authors, scientists and thinkers, said it would be in our best interest to Remain. The Leave camp was full of people who I disliked - people with hateful ideologies, people who lied for their own political gain, people who had a disdain for rationality and the advice of professionals. The aftermath has seen a collapse of our political parties, an abandonment of responsibility, and a power-grab by people who hate the NHS and want to dismantle human rights. The right decision was almost a no-brainer (though I still read around both sides of the arguments as much as possible).

This is the tragedy: the referendum was won on lies and ignorance. It should never have been held (or should at least have had rules for a bigger clear majority). Many, according to reports, are already regretting their 'Leave' vote. We've made the wrong decision for the wrong reasons, and while I hope things will settle down at some point - who knows when - I fear we've taken a big step closer to the possibility of a darker future, not a brighter one. For my children's sake, I really hope I'm wrong.

Further reading: A Note to My Friends Who Voted Leave by Jeff Lynn

posted 30.06.16 at 10:54 pm in Webbledegook | permalink | |


The EU Referendum
Wednesday 22 June 2016
I have kept politics out of this blog - it's primarily been for stuff related to work (comics and illustration) and some of my interests and hobbies (history, films and general waffle). But in just over 24 hours' time, we in the UK will be voting on something I believe is the most important decision we've had to make in a generation: whether we leave or remain in the European Union.
The two campaigns, 'Remain' and 'Leave', have hardly covered themselves in glory when it's come to giving us - the general public - the facts of the matter. To make things worse, the EU is a bit of a mystery to most, often characterised by its more bizarre attributes, either as the butt of a joke or, sometimes, in the form of an outright conspiracy theory.

My general feeling a few weeks ago was that I'd be voting Remain. I like Europe, I like Europeans, I love visiting Europe (as I have luckily had the opportunity to do several times with my book published in a number of foreign editions), and I like Europeans being in my country (I believe diversity does not dilute our culture but enriches it - not to mention the fact that migrants give the UK a £20 billion tax benefit). Most of all, I like the idea of a shared international vision and of being an active part of that vision.

As the date has drawn closer, I've become more interested in the debate, especially in how the result will affect me - both in the things I care deeply about in the wider world, and in my own personal life. The more I've researched and learned about both sides of the argument and about the EU in general, the more I now think a vote to Remain is pretty much the only sane choice. In fact, I think a vote to Leave could be potentially devastating.

I'm not going to write an essay going into all the details and conclusions I've come to, but I would like to present some of the broad strokes, and let you know why I think being part of the EU is a good thing, despite the fact that it, of course, has many problems too.

First of all, I believe the EU is generally a force for good. It was born out of the desire to see lasting peace in Europe, and it has achieved that very well. It promotes cooperation and has what I see as basically a positive Humanist agenda. It also provides a number of checks and balances on our own government who may not always pass laws with our best interests at heart. An example of this would be various directives that serve what I call the 'greater good' - that cover the health of the environment, tackling climate change, defending human and civil rights, limiting the power of private corporations and protecting minorities. The EU does all these things.

Of these I think the question of climate change is the most urgent, and this is something that simply has to be tackled with a united front. We're not doing enough as it is, but if we break from the EU then it will set the progress we have made back by vital years, maybe even decades. A united Europe working together sets an example and raises the game for the rest of the world.

Speaking of which, there has been a lot of fear-mongering about Turkey joining the EU. The fact is, it will be many years before they are able to join, the reason being that they must first fulfil a large number of tests set by the EU. This is because the EU has a moral and technical standard that must be met - the EU makes countries aspire to be better. We don't want Turkey to join as it is now, but a Turkey that eventually passes the EU test will be an asset.

Turkey is just one of the un-facts touted by the Leave campaign, but it is not the only one. Perhaps the most blatant is that the UK "sends £350 million a week to the EU". This figure is false, as we get a substantial rebate (taken off before any money is sent) and we get a lot of money back in various forms of important funding, not to mention the incalculable extra value we get from goods, services and protections by being a paid-up member of the Union. The UK's contribution is only 1.2% of our total government spending.

Boris and his cohorts have said, if we leave the EU, we can use that "£350 million" to use as we wish, and they give the example of "a new hospital every week". The problem is, most, if not all, of the spare cash will be wiped out due to the massive economic downturn we'll experience on Brexit, which may even go as far as a pretty bad recession. And then what will we use to re-make those vanished laws and systems that we'll be 'free' of? The NHS will not get anything - especially from the likes of Boris, Gove and Farage, all of whom are on record as saying they would like the NHS privatised.

Okay ... I'm getting a bit verbose! The economic argument is the one that worries me most on a personal level. Almost every major financial institution predicts a monetary loss for regular families if we leave the EU, and quite likely a return to recession. Even many in the Leave camp agree with this assessment - though they think we can ride it out. Well, I probably won't be able to ride it out. My wife and I are both self-employed and we are just starting to get our heads above water after the hit of the last recession.

I lost clients in the last recession and it's been a struggle to climb back up. As the UK's economy started to improve, so did my own finances - but I am very close to the breadline on a monthly basis, sometimes under, sometimes a little over (illustration is not generally well-paid). Unlike the last recession, I now have two young children, so I'd be punched a lot harder this time. Even on the least-worse predictions I dread to think what our family situation could be if the UK economy shrinks again and businesses stop hiring freelancers like Ellie and me.

The UK is one of the strongest voices in the European Union, along with our allies France and Germany. Together, the 28 countries present a powerful force in the area of trade (giving us international bargaining power), diplomacy (preventing other powerful states from flexing their muscles too readily) and security (with shared intelligence and joined-up reaction to events). Scientific research, resulting in better treatments for disease, the solving of technological problems, and even space exploration, all benefit from EU funding.

The EU is often mischaracterised as undemocratic, yet a close look at the way it actually works shows that it is just as democratic as the UK (despite our unelected House of Lords!). We vote for our MEPs and they have real power to accept, reject or amend European legislation. They can even dismiss the Commissioner, and our Prime Minister and various other UK government ministers hold important positions when it comes to making legislation. The lack of democracy is a myth repeatedly peddled by the leave campaign.

Going back to a more personal level, the EU provides protection for my work and my rights as an author and artist on the international stage. There are a greater number of opportunities for grants and easier access to a wider readership. Membership of the EU has allowed me to easily travel to other countries where my books are published, to get paid more easily, and even to make sure I'll be looked after should I ever fall ill on one of those trips.

On a slightly more negative note, the kind of politicians who I feel most ideologically opposed to are the ones who might come out of a Brexit vote with the greatest amount of power: people such as Boris Johnson (whose main agenda with this referendum is to get himself into No. 10), Michael Gove (who wants to scrap the Human Rights Act) and Nigel Farage (who only turned up to one out of 42 EU Fisheries meetings, despite being an MEP on the Fisheries Commission, showing just how much he cares about British interests). They are on the side of privatisation and less social responsibility, and what they might have in store for us, if given a mandate, worries me greatly.

There may well be some benefits in cutting our ties with the EU, but I have seen none that have convinced me, and none that outweigh the huge number of advantages we get by staying. The vast majority of arguments for leaving have been gut feelings, amorphous patriotic slogans, and - I'm sorry to say - rather a lot of xenophobia.

For me a vote to Remain is a vote for the future, a vote to stay involved and an opportunity to try and make things better. I will be voting to Remain, for me, my children, and for the world. If you're undecided, I urge you to do the same. Please vote.

posted 22.06.16 at 1:05 am in Webbledegook | permalink | |


Jutland - 100 Years
Tuesday 31 May 2016
It's 100 years since the Battle of Jutland, so I thought I'd reprint this post, originally written for Remembrance Day in 2004, about a cousin of mine who died aboard HMS Invincible on that black day of 31 May 1916 ...

Mark William Cameron was born at Parkhurst Barracks at the beginning of 1884, his father being a Sergeant in the Seaforth Highlanders, stationed there after returning from service in Egypt and Afghanistan. His mother was only 18 at the time, and had married his father just five days before he was born.

Mark joined the Royal Navy, possibly inspired by his father's tales of campaigning in exotic lands for the British Empire, and perhaps also by distant tales of his great-grandfather, who had battled Napoleon's forces at Waterloo. As the new century began, he found himself as a Boy, 1st Class, aboard H.M.S San Pariel after stints on the Caledonia, Minotaur and Agincourt. In 1910 he married his cousin Margaret, daughter of his uncle Donald who had served abroad with his father in the 72nd Foot. In 1913, with the British and German Navys trying to outbuild each other as European tensions grew, he was in the Gunnery School aboard H.M.S Excellent, before being promoted to Gunner and joining H.M.S Invincible - the world's first battlecrusier - at its commissioning on 3 August 1914.

"The First World War had begun. In the northern mists the Grand Fleet (21 dreadnoughts, 8 predreadnoughts, 4 battlecruisers, 21 cruisers and 42 destroyers) was at its war base in Scapa Flow, under the command of Admiral Jellicoe. Diagonally across the North Sea the German High Seas Fleet (13 dreadnoughts, 16 predreadnoughts, 4 battlecruisers, 18 cruisers and 88 destroyers) were assembling in the River Jade under the command of Admiral Von Ingenohl." - V. E. Tarrant.

Invincible was involved in three actions. It had a small part to play at Heligoland Bight later in August, and then in December was involved in a naval battle against Vice-Admiral Graf von Spee at the Falkland Islands. But the Invincible will be forever associated with the Battle of Jutland, on the last day of May in 1916, when at 6.34 p.m a salvo from the Derfflinger penetrated the 7-inch armour and causing explosions in the gun-house, turret and the magazine, rent the Invincible in two, sinking it and killing 1,019 men. There were only six survivors, and Mark Cameron was not amongst them.


A direct hit on HMS Invincible

To boys who had grown up with the heroic deeds of their grandfathers, fathers and uncles, or the gallant officer adventurers in the novels of G. A. Henty, who had read of the brave thin red or khaki lines defending outposts against Zulus at Rorke's Drift, or Afghans at Kam Dakka, and where casualties rarely exceeded fifty on a bad day, or a few hundred on a disastrous day, the Great War will have come as a shock. Over 21,000 Britons killed in the first day at the Somme in 1916, and 6,000 Britons and 2,500 Germans lost to a watery grave at Jutland is a severe lesson indeed.


Mark William Cameron, 13 Jan 1884 - 31 May 1916
posted 31.05.16 at 6:34 pm in Family History | permalink | 1 |


Locate that landmark!
Tuesday 19 April 2016
Something I've been working on for a couple of months went live yesterday, a little web-game/quiz called Locate That Landmark. It's quite simple - you have a certain amount of time to locate and identify as many UK landmarks as you can. Do really well and you can get your name up on the leader board.

I didn't create the game, that was done by people far cleverer than I - but I did illustrate the map and all 100 locations - rather a mammoth task (especially all those cathedrals!), but enormously interesting, fun, and educational too.

As well as an online game, the map is appearing on JCDecaux digital screens across the nation over the next four weeks - so let me know if you spot one at a train station, airport, shopping mall or bus stop, etc.

It was very nice to be working with JCDecaux again - you'll remember that I did the Arni comic for them last November (see if you can spot Arni on the map). Both these jobs have been a challenge, but really rewarding, and both have given me the opportunity to up my game and increase my skills - so thank you to Russell Gower and Janet Guest and their team for that!

posted 19.04.16 at 3:46 pm in Work | permalink | |


I'm Still Here
Monday 4 April 2016
I'm not going to break any records for posting blog entries, but I haven't quite disappeared off the face of the Earth just yet!
I've had a busy start to the new year, especially with one particular project that I've just completed - hard work, enormous fun, and I'll blog about it more when it sees the light of day later this month.

Julius Chancer has never been far from my thoughts and I've managed to get back to a bit of work on the next book again. It's frustrating (for you and me!) that's it's so slow, but money-earning work has to take priority, and that's not the comics, I'm sorry to say.

For now, here's some costume colour guide roughs for characters from the opening scene of the new book.

posted 04.04.16 at 11:21 am in Julius Chancer | permalink | 3 |


Star Wars: The Force Awakens
Saturday 23 January 2016
With two young children and a small business to run, going to the cinema is a rarity for me these days. However, in 2015 I doubled up on the previous year's record, and managed to see two films on the big screen ... Spectre and Star Wars: The Force Awakens.
Both were driven by nostalgia to a large degree. We always used to go and see the new Bond film at the cinema ... I particularly recall seeing Moonraker, but I think The Spy Who Loved Me (1977) was the first. But just six months later my life would change, because that is when I went to see Star Wars (at The ABC in Tunbridge Wells, now sadly flattened).

Up until then it was war - comics, toys, models and films - that were my main preoccupation, but I mostly dropped that after Star Wars, and science fiction and adventure became my new obsession.

It was a great time to be a young kid. After Star Wars came Superman, The Empire Strikes Back, Flash Gordon, Raiders of the Lost Ark, Superman II, Time Bandits, Clash of the Titans, E.T, Conan the Barbarian, Blade Runner, Tron, The Dark Crystal, War Games, Indiana Jones and the Temple of Doom, Ghostbusters, and Return of the Jedi, to name a few that have stood the test of time.

And it's nostalgia that is at the heart of The Force Awakens - an aspect that is partly responsible for its huge success, but which has also been one of the main points of criticism of the film.

I enjoyed it immensely, but then perhaps the film was rather aimed at me and those like me, and it pushed all the right buttons. I liked it so much that I started 2016 by going to see it again, and was not disappointed with a second viewing and with the hype somewhat cooled.

It's nice seeing the old faces again, but the best thing about the film is the new faces: Rey is an intriguing and positive main character, Fin is entertaining and hugely likeable, and the dark side offers up a very interesting personality in the guise of Kylo Ren.

Unlike some critics, I didn't mind the plot parallels with the original Star Wars. I think it's a trait of the series (or perhaps the Force) that patterns repeat, and I'm not surprised, after the reception that greeted episodes I-III, that the writers and producers wanted to play it safe to get the new franchise off the ground.

My worry is that the creative team behind episode VIII, slated for late 2017, will give too much attention to the voices of the fans when they come to map out future instalments. While, as I said, I loved every minute of The Force Awakens, it has also, actually, given me a greater appreciation of the originality and vision of George Lucas's prequels.

I re-watched them over the past couple of weeks, for the first time in a long time (in fact, in the case of episode III, for the first time since seeing it just once at the cinema) and was pleasantly surprised. Jar-Jar Binks wasn't as annoying as I, perhaps, mis-remembered, and I even found young 'Anni' likeable and somewhat sympathetic. Certainly the over-baked scenes with Hayden Christensen and Natalie Portman are a bit difficult to watch, but I got a better sense of Anakin's path to the dark side by seeing all three in sequence. I surprised myself by really enjoying the last of the three, even Darth Vader's "Noooooooo!" didn't seem half as bad as I recalled.

The setting of the prequels is a feast for the eyes, and I think the story just about works - especially if you immerse yourself fully into the fantasy. This isn't science-fiction, after all, it's pure space fairy-tale!

Was Lucas largely criticised for being original? For telling the story he wanted to tell, and not the one his films' keenest fans wanted (ie. a more Star Wars-y Star Wars). Are those who are criticising The Force Awakens for being too much like A New Hope the same people who criticised The Phantom Menace for not being 'Star Wars' enough?

I'm not saying the prequels were perfect films, not one bit. I do wonder if, because of what they are, they are put under a great deal more scrutiny than would ever be directed at the original trilogy. Episodes I-III are world-building, background, nerd-notes. I shed myself of some of the internet stigma that has built up around them, and found I enjoyed them more than I thought I would.

We've had our nostalgia moment with The Force Awakens, and that's brilliant. Now let's hope we move forward into new territory, where quality storytelling will prevail over commercial interests and fan pressure. I want to see the new characters grow, and I'd love to see Luke Skywalker - the kid that started it all - used intelligently, with new aspects revealed, giving impetus to the new series, so that a long time ago, in a galaxy far, far away, has a bright, absorbing, and exciting future.

posted 23.01.16 at 1:13 am in Film | permalink | 4 |


Happy Christmas 2015
Thursday 24 December 2015
Rather late this year, but I wish all my readers and friends a very merry Christmas, and I hope lots of good things come to you in 2016. There will be new Julius Chancer - I promise. Thank you, as ever, for your continued support!
posted 24.12.15 at 11:53 am in Julius Chancer | permalink | |


Arni ends!
Friday 27 November 2015
Today sees the final instalment of Arni's Epic Adventures! It's run on JCDecaux digital screens all over the country since November 2nd, with a new strip every week-day. Although today's is the final episode, you can still catch up with all of this last week's episodes if you see a screen over the weekend.
It's been enormous fun and a really interesting project (you can read a little interview with me over at the beframeus Facebook page). I've learned a lot from doing it, but overall it's been a success, I think. And there's been some really nice feedback - a big thank you to everyone who tweeted, shared or commented, and especially to all those who took photos of the screens - it's been great seeing them out there.

posted 27.11.15 at 1:27 pm in Comics | permalink | |


Arni - still flying
Wednesday 18 November 2015
On Monday Arni entered his third week of publication - publication, in this case, meaning appearing on thousands of digital screens across the UK in various open and out of the home spaces, such as railway stations and shopping malls. This is comic art in the public arena, reaching millions of eyes that may not otherwise get to see comics - pretty exciting!
Here's a few of the screens, as photographed by a variety of Tweeters and Facebookers (as credited). Arni's Epic Adventures runs until the end of November - let me know if you spot him!

Follow Arni's adventure on Twitter with the hashtag #ArniStory.

posted 18.11.15 at 11:58 pm in Comics | permalink | |


Arni's Epic Adventures
Saturday 7 November 2015
If you follow me on Twitter you may have noticed that I've been going on about Arni a lot this past week. But who is Arni? What's going on? I'm glad you asked ...
Arni is a little red bird (a Pine Grosbeak, actually) who was having a lovely snooze in his favourite tree when he was rudely awoken by the sound of a chainsaw and his tree was carted off on the back of a lorry. Arni loves that tree, so he's decided to follow it, but that turns out not to be as easy as he'd hoped, and a series of exciting little adventures ensue.

The strip was commissioned by JCDecaux - "the number one outdoor advertising company in the world" and provider of those digital screens you see everywhere at railway stations, shopping malls and airports. The basic concept and the character idea is theirs, while the realisation of the idea (script, design and artwork) comes from me. He's appearing on JCDecaux screens across the UK, one strip per working day (with catch-ups at the weekend) throughout all of November - twenty strips in all.

As I write, I've still got the last few pages to draw - a little nerve-wracking as the story began its run on Monday November 2nd - but I'm really enjoying it. Even as I wrote the script I knew I was setting myself a challenge with a fair number of testing environments to draw, including depictions of lorries, ships, cranes, and city scenes, many of them from unusual angles - and all with a rather tight deadline. But nothing gets you to do your best like a story that pushes your abilities - and a tight deadline!

A further challenge has been that JCDecaux have two different screen formats ... the Digital-6 is a portrait screen and the Transvision is landscape. As D6 screens vastly outnumber the TVs, I've drawn primarily for that mode, but have then had to re-compose the artwork for the longer, narrower format, often having to cut away some of my artwork (wince!). For me, the definitive versions are the D6 pages, but it's the more screen-friendly TVs that are being published online.

JCDeacux host thousands of screens across the country, many at major railway stations, roadside locations and big shopping complexes, reaching half of the UK population (they reckon 30-40 million). The strip is wordless and appears on screens for 5, 6 or 20 seconds and is being billed as "the first graphic arts story to be commissioned for digital screens" (the big ones, anyway!).

A big thank you to Russell Gower and his colleagues at JCDecaux for giving me the opportunity to work on such an exciting project. I hope you'll come across Arni on your travels throughout the following month - you can follow the strip's progress on Twitter through beframeus and ArniBird - and if you see a screen, do let me know, and tweet a photo if you can!

posted 07.11.15 at 11:15 am in Comics | permalink | 2 |


Vienna Comix 2015
Saturday 10 October 2015
The weekend of October 2nd to 4th saw me travelling to Austria and its capital city of Vienna for Vienna Comix 2015. I was invited by my German publisher, Salleck Publications, for the launch of the third volume of Die Regenbogen Orchidee, this time with the sub-title of Die Vergessene Welt ('The Lost World'). The book also contains a German translation of The Girdle of Polly Hipple in colour.

Of course everyone has asked me what I thought of the beautiful city of Vienna - and, as with my previous European adventures, I honestly can't say! I spent the majority of my time sat behind a table sketching in books and chatting with German and Austrian comic fans - the reason I'm lucky enough to be there. I didn't even see much of the rest of the comic show. I saw a little of the city - through a car window, or taking the Viennese U-Bahn and then walking to the venue with some of the other artists (including Don Rosa, Francois Walthery, Thomas Cadene and Davide Fabbri) - and Vienna does indeed look very nice.

That's not to say I didn't enjoy the weekend - very far from it, I had a wonderful time (and was put up at a lovely hotel - Hotel Kummer on Mariahilfer Strasse). I was particularly pleased to spend so much time with my fellow Salleck author, Belgian artist Francois Walthery, creator of Natacha and long-time assistant to Peyo of Smurfs fame. He didn't speak English and I didn't speak French (well, each a very little) but we bonded over a mutual love of 60s British/US Blues icon John Mayall - and comics of course. Francois, as he said himself, has been drawing comics since the formation of The Beatles (though comics have not made him as rich, he added!).

A big thank you to Eckart Schott for the invite and the hospitality, to Wolfgang Klingel for the company, conversation and translation services, to Johannes Seybert and Michael for the chaperoning and airport transport, and to everyone who said hello (including the pleasant surprise of meeting Dirk Verschure again, last seen in Haarlem attempting to make my then baby daughter laugh), or who bought my book, or even just showed an interest ... danke!

posted 10.10.15 at 12:14 am in Julius Chancer | permalink | 3 |


WWI stories: Henry Walter Betsworth Stewart
Tuesday 14 July 2015
One hundred years ago today Henry (aka Harry) W. B. Stewart was killed on the Galipolli peninsular.
He was born on 16th September 1894 in Willowbank Crescent, Glasgow. His family had just a few months earlier moved from Dundee as his father, Samuel Stewart, was to take up a new post as gymnastics instructor at Glasgow Academy. His mother was Betsy Meffan Phillip, eldest child of Andrew Phillip and Betsy Rough.

By age 16, Harry worked as an apprentice for a shirt manufacturer, but by the time the war came, in 1914, he was working for ship owners J&A Roxburgh. He wasted no time in enlisting, with the 5th Battalion of the Highland Light Infantry, and in July 1915 he landed with his company at the Dardanelles.

I have not been able to access the war diary of the 1/5th H.L.I., so I do not know the exact details of the battalion's movements on 14th July 1915, the day Harry was killed, except for a report that they were "on general fatigues south of Backhouse Road [trench]". They had seen a fair bit of action in the previous few days, and several men's lives were lost to the deadly Turkish snipers that kept a constant watch on the British positions.

Harry's younger brother, Andrew Stewart, a Lieutenant in the King's Own Scottish Borderers and the winner of a Military Cross, would die in 1918, leaving just two sisters and a brother with their parents (Samuel was stationed at Gailes, training recruits). I've also written about the death of his uncle, Alexander Phillip.

Harry, who had been promoted to Lance Corporal in the short time he served, was just 20 years old. His memorial on the family stone in Glasgow's Western Necropolis states "asleep on Achi Baba".

posted 14.07.15 at 12:41 am in Family History | permalink | 4 |


Copenhagen Comics 2015
Monday 15 June 2015
Last Friday (5 June) I flew out of Gatwick on Norwegian Airlines for my first trip to Denmark. This was to attend the Copenhagen Comics festival where the first volume of the Danish edition of The Rainbow Orchid (Jagten På Regnbueorkidéen) would have its official launch.
I'd actually been invited to two other shows this weekend - the Munich Comics Festival, by my German publisher, Salleck, and the Bulles de Mantes La Jolie in Paris, by BD Must - but Copenhagen beat them to it. It's nice to be wanted, and I wish I could have somehow managed all three!

But I'd wanted to attend the Copenhagen event, which is held every two years, for a while now, after hearing positive reports from Colin Mathieson and Dave West of Accent UK, who both thought my book would find an appreciative audience there. When Danish publisher Tellerup added my book to their list late last year, the possibility of attending became a reality - and for that I must thank my champion at Tellerup, Michael Larsen, the Danish Arts Foundation, and Copenhagen Comics themselves.

I'm not a big fan of flying, but - though I'm not religious - there were about 20 or more members of the Salvation Army brass band on my flight, so I knew I'd be okay! Michael met me at the airport and we took the train into Copenhagen, hopped on a bus to my hotel (Hotel Sct. Thomas in Frederiksberg, right next door, it turned out, to Copenhagen's Salvation Army HQ) where I checked in and freshened up, and then we took the bus back into the city where we met the rest of the Tellerup team for dinner, at A Hereford Beefstouw, right next to the famous Tivoli Gardens.

The Tellerup team consisted of Michael, Thomas Schrøder and his wife Lise, Harald and Louise Tellerup, Valdemar Tellerup and one other chap, whose name didn't quite reach my ears (sorry!) [Edit: it was Steen]. They are a wonderful bunch and I feel very pleased indeed to have my work published by them.

After dinner Michael and I took a bus to Nyhavn - the 17th-century harbour that was once home to Hans Christian Andersen. Michael is an excellent tour-guide and he provided tea and good conversation, especially with his interesting insights into acting - something we've both been involved in.

The bus journey back led to a little adventure - Michael got off before me and I remained on board with a man who seemed insistent on informing me about (I think) his savings, the Danish tax rate, and the government (there's to be a general election this month). Whether it was due to this or my own lack of awareness, I wasn't sure which stop to get off at, so I took a chance and then used my 'intuition' to walk in what I thought was the right direction. My intuition was as good as random chance (unsurprisingly) and I soon realised I was going the wrong way. But purely by chance I had come out with a city map in my back pocket, and purely by chance I decided to examine it just as I was about to walk off the edge of it. A 20-minute walk got me back safely to the hotel!

I was staying in the same hotel as Colin and Dave of Accent UK and so I was able to meet them for breakfast the next day. Making up the rest of the Accent UK team were West Noir artist Gary Crutchley, and Colin's son Scott, and all four were terrific company all weekend, starting with breakfast each day.

Day one of the festival was hugely enjoyable - I was busy signing and sketching for most of the day and I met a ton of marvellous comic creators and readers. From my last German trip it was lovely to reacquaint myself with Tatiana Goldberg, also published by Tellerup and whose fantastic book, Anima, was shortlisted for a Ping Award (the winners were to be announced that evening); also Frank Madsen, Sussi Bech and Ingo Milton. I was also delighted to meet (all too briefly) Lars Jakobsen, creator of the fantastic Mortensen books - which Colin had turned me onto a couple of years previously.

At midday I was part of a panel discussion about drawing kids' comics, chaired by Michael Andersen and alongside comics superstars Luke Pearson and Thomas Wellmann. It was interesting that none of us had intentionally created a comic for children, we'd all made comics as something we, ourselves, wanted to read. Being comics for children had more to do with marketing, though all-ages content and clear storytelling were certainly aspects that perhaps made our books more widely accessible - not, we agreed, exclusively for a young demographic, but for a mainstream, even non-comic reading, truly all-ages audience.

Another friendly face present in Copenhagen Comics that weekend was Clíodhna Lyons, who was literally flying the flag for Irish comics, as well as her own gorgeous work. I'd last seen Clíodhna at Angoulême, so even though she only lives 30 miles away from me, we only seem to get to say hello when in mainland Europe. Along with the Accent UK guys and a number of friendly Danes, she was excellent company all weekend - and I owe her a drink in return for the enormous orange juice she treated me to at Cafe Obelix that evening.

The second day of the festival was another good one, perhaps a little slower than the Saturday, but I was still busy enough signing to keep me from clock-watching, with enough space this time to allow me to stretch my legs and have a wander around the Danish comics scene, which, I'm pleased to report, is friendly, full and fascinating.

One nice thing that Tellerup had organised was an exclusive Rainbow Orchid poster, free to anyone who bought the book at the festival. It was a big one - 70 x 100cm - and a common sight was to see people carrying them around in their special Tellerup poster boxes. I'd drawn this in spare moments during a very busy period of work, but was pleased to see that it had come out all right!

I was very pleased to make the acquaintance of another talented Dane, Thomas Friis Pedersen (who uses the pen-name Thop), creator of Flix & Flax and Zombie Kravlenisser (as well as The Great Zardini, which really gave me a good chuckle) and is another Tellerup author. And it was good to meet Árni Beck Gunnarsson too, for whom Thomas and I collaborated on a little jam sketch!

Sunday evening saw a lovely dinner at The London Pub on Godthåbsvej with Clíodhna, Accent UK, and Søren Pedersen, founder of the famous Fantask comics shop, and his wife Vibeke. As with every evening, much conversation was had, including subjects as diverse as Japanese film, potatoes, the Gay Gordons, and, of course, comics.

On Monday morning it was time to return home. A slightly earlier breakfast, again with the magnificent company of the Accent UK team (Colin was torn between a Danish pastry and accompanying me to the station, luckily reason prevailed ... the Danish), before I said my goodbyes and walked off to Copenhagen Central for a train to the airport. Despite a slightly delayed flight I was home by 3pm, and I even managed to summon up the energy to get myself to that night's karate training.

So, did I enjoy my first visit to Denmark? Most certainly. Would I go again? Absolutely. The Danish comics scene was enormously welcoming and I had a terrific time. Huge thanks to Tellerup, especially Michael Larsen who made the whole thing happen, to the Danish Arts Foundation for help with funding, and - by no means least - to Steffen Rayburn-Maarup and the Copenhagen Comics team for having me as a guest. I feel very lucky and honoured that I got the chance to go.

posted 15.06.15 at 11:38 pm in Julius Chancer | permalink | 12 |


Danish cover
Thursday 7 May 2015
With volume one of the Danish edition of The Rainbow Orchid currently at the printer's, I thought I'd show you the cover.

Yes, I know it's the same cover that's been on all the editions, but I particularly like the title design here - I gave it a slightly larger 'O', even though it's all one word in Danish, and spent a little more time on shaping it overall than I have on some of the other editions (oh how I'd like to rework the English one!).

The book itself will be published by Tellerup on 28 May, and the launch will be at Copenhagen Comics (June 6-7), at which I will be a guest.

I have drawn a new piece of Rainbow Orchid artwork for a promotional poster, but I'll leave that to be revealed by Tellerup at the festival, so no sneaky peeks just yet! Oh, okay, maybe just a little one ...

posted 07.05.15 at 3:04 pm in Julius Chancer | permalink | 5 |


Upcoming events
Tuesday 14 April 2015
Not many this year, but a couple of good events coming up on the horizon to tell you about.
The first is aimed at librarians and will take place at Crawley Library, West Sussex, on 18 May, where I'll be on a panel addressing the issue of reaching reluctant readers (something comics do very well!). My fellow panelists will be Helen Dennis, Mo O'Hara, and Lisa Williamson. You can book tickets here.

On the weekend of 6-7 June I'll be at Copenhagen Comics in Denmark for the launch of the Danish edition of The Rainbow Orchid vol.1 (Jagten Pa Regnbueorkideen, published by Tellerup). Long before a Danish edition was even a possibility I had wanted to visit this festival, largely thanks to the enthusiastic reports brought back by Colin and Dave of Accent UK, who will also be attending this year. I'm very grateful to the festival, Tellerup, and the Danish Arts Foundation for making this trip a reality.

posted 14.04.15 at 9:59 am in Julius Chancer | permalink | |


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