Volume one had come out in June 2015 (see my report here) and while there had been a few delays and problems with the follow-ups, it's thanks to the dedication and tenacity of my editor, Michael Larsen, that the set has now been completed.
The Friday had started off on a sombre note as I attended the funeral of a friend who died far too early in life - a sad but beautiful service. A taxi to the airport (my wife was away with the car and children for the weekend) to catch my afternoon flight, and by 7pm I was at Copenhagen airport and, after getting the train into the city, I was in my hotel room within an hour. Anticipating I'd be too tired to go out for a meal I'd brought sandwiches, so sat and munched and watched a bit of Danish TV before collapsing into bed. It's a glamorous life!
After a hearty breakfast (I'm never certain if I'll have any lunch, or a late one, at these events) I met Michael in the lobby of The Scandic and we made our way to the Øksnehallen and the Tellerup stand. The books seemed to sell well - the first book I had to sketch and sign in was for a friend of Michael's, and halfway through doing it I had my first customer. I didn't get to finish signing that first book until the very end of Sunday.
Saturday was particularly busy - I was drawing all day, with only a break for lunch and also an interview as part of the festival programme. Unfortunately this was rather poorly attended - just a handful of people. I don't know if that's because I was on at the same time as fellow UK artist, the brilliant Tom Gauld, or - more likely - I'm just not at all well-known! Honestly, I didn't mind - I was interviewed by Danish comics creator Frank Madsen, who asked some interesting questions, and I enjoyed the chat very much. A big thanks to those who did come along.
On Saturday evening Michael and I attended a dinner given by the festival for the international guests, and we were in some pretty fine company. I was able to meet Tom Gauld for the first time (I especially enjoyed his Angoulême/Rammstein story), and was also seated opposite French artist Sébastien Cosset and Swedish artist Kim Andersson. Seated just outside my own conversation zone was an artist I really admire, Boulet - perhaps good that I didn't get to speak to him in case I ended up as an anecdote ("the dull British artist") in one of his web comics!
Much to my shame and some embarrassment, I hadn't realised I was sitting directly opposite one of my very favourite comic creators: Sébastien, I discovered the following day, was one half of the creative team known as Kerascoët. I love Miss Don't Touch Me (especially volume 1) and I thought the more recent Beauty was stunning - one of the few creators whose work I seek out and buy when it's available. But again, perhaps it's best I didn't realise it was him behind the nom de plume so I didn't end up fawning over him all evening! All were good company and I had a lovely evening with some interesting food (I passed on the course that consisted of skewered duck hearts ...)
The Sunday was another busy day, though not quite as manic as Saturday. I had another interview scheduled, this time with a bigger audience as it was with Jakob Stegelmann, the host of the famous Danish TV programme Troldspejlet. This interview kept me on my toes - it's been a while since doing publicity for The Rainbow Orchid, but most of my facts and stories are still in there - Jakob asked me about eyebrows, languages, inspirations, and whether it matters that modern children won't get many of the historical references in my story (short version: no, I don't think it matters). You can watch the unedited footage here and the full episode here.
It was great to meet so many of the Danish comic creators that I'd met on my first trip here two years previously, and it was also nice to meet the British contingent (Colin, Scott and Dave of Accent UK), Canadian John Anderson of Soaring Penguin, and the Irish contingent, Cliodhna Lyons, with her table-mate and fellow animator/comic artist, Benedict Edward Bowen).
After Sunday, Michael and I, with the Accent UK chaps, retired to a nearby restaurant for food and drinks, before it was back to the hotel to pick up our bags, and then to the train station where we said our goodbyes before I went on to the airport. My return flight was very busy, and delayed by about half an hour, but it was a good (if windy) flight home, and I got in my front door at about half-past midnight.
Thank you, as ever, to everyone who came by the Tellerup stand and bought a book or two or three (or who gave me one, thank you Ingo Milton!). Denmark is particularly nice to visit, and I had a lovely time. This was also, in large part, thanks to my editor and translator, Michael Larsen, who was again excellent company and has been vital to the existence of Jagten på Regnbueorkidéen. I must also thank the book's designer, Rasmus Kronholm - Michael and he have made, I think, my favourite edition of the book.
I had a busy week of work when I got home, and on the following Thursday it was World Book Day, which saw me give four hour-long talks at my old school - Imberhorne. It's been about 35 years since I was a student there, though I do teach karate there twice a week, so it wasn't a total shock to walk its corridors once again! The staff and pupils were lovely, though, and I enjoyed the day very much. A special thanks to John Pye of The Bookshop on the High Street for his part in the organisation.
|Enjoyable, as always. Great to see the other parts being released. I see you are going to Germany next. Is that the near the last one for the international releases?|
|Thank you, Linda. Of course the German volumes have all been out since the end of 2015, so the Danish editions were the last. But, as it turns out, the translations may not have quite ended yet ..!|
Add a comment:
Please feel free to comment on this webbledegook entry or respond to its comments. Anything that may offend or is spam will be deleted. Anything else is most welcome.