I'm delighted to announce that a Danish edition of The Rainbow Orchid is to be published by Forlaget Tellerup. It will be issued in three separate volumes and will be launched perhaps midway in 2015 - I will confirm the date when it is settled. The Danish title is Jagten på Regnbueorkidéen, and it joins the English, Dutch, Spanish, French and German editions.
My sincere thanks go to Michael E. N. Larsen at Tellerup, Hélène Ferey and Oli Munson at A. M. Heath, and Trine Licht at Licht and Burr. I also suspected I should pass on a nod of recognition to the Danish comic artists (Frank Madsen, Sussi Bech, Ingo Milton, and Tatiana Goldberg) I had a very nice dinner with in Erlangen, Germany, earlier this year, as I thought that getting to know them a little better may have had something to do with my coming to the attention of Tellerup! In fact, Mr. Larsen had discovered RO while browsing Amazon, which just goes to show that putting work out there gets it seen, and you never know what will come of it.
I should apologise for the delay - it was partly due to other work, but I must admit it was also partly due to the big step of actually starting, coupled with the fact that the first panel was a bit of a challenge, having to tackle an establishing shot with a fairly intricate building (and van) in perspective.
One of the things that helped me get started was doing a private commission for a Julius Chancer illustration which acted as a great warm-up. It was a Thirty-Nine Steps-style scenario, with Julius being chased down on the Yorkshire Moors ...
Here, again, are the the thumbnails and A4 roughs for the first half of the first page ...
And here are the panels at the pencil stage ...
Finally, here are the drawings fully inked and coloured ...
This has been my first experience drawing at the new size - A2 (half a page is A3). The building did take longer due to the greater area to cover, but it was much nicer to draw something that required that level of detail with more space available. The following two panels probably took just as long as they would have had I been drawing at A3, as I did with The Rainbow Orchid.
One advantage I hadn't anticipated is that drawing the page in A3 halves provides me with smaller targets to complete - half a page is done and can be put aside, instead of a whole page having to be completed before I can tick it as 'done'. That might seem a false equivalence, but it's a psychological trick that actually helps! Giving yourself little targets to complete is great way to keep moving forward with a big project.
I plan to have the first three pages up for you to read at the start of the new year (fingers crossed!).
It's for a leaflet that explains how Jacobs was an influence on the three creators featured - Patrick Dumas (Allan MacBride), me (Julius Chancer), and Eric Heuval (Le Mystère Du Temps) - all published, of course, by BD Must.
Jacobs really was the spark that set off The Rainbow Orchid, far more than Tintin. I bought a copy of La Marque Jaune at the Centre Belge de la Bande Dessinée in Brussels, sometime in the 1990s, and it opened up the horizon for me on the wider world of ligne claire and the possibility of more serious adventure in this format. (I just checked the dates - I went to Brussels in April 1996 and drew the first page of RO in March 1997.)
I certainly wouldn't claim to be an heir, but I'm very happy to be thought of in the same context!
As ever I was met by my German publisher, Eckart Schott of Salleck Publishing, and we drove into Mülheim and to our hotel, Hotel Kaiser on Wiener Platz. After dropping our bags off we went out to a little pizzeria (Palazzo) where I had a very nice pizza that I'm sure was meant for four people, not one. Our walk back to the hotel was just short enough to stop my bones from getting too chilled - there was a definite bite in the night air.
While Eckart had an early start to set up his stand at the comics fair, I was able to have a bit of a lie-in (a rare luxury with two small children at home), and I made my way over to the Köln-Mülheim Stadthalle (town hall) at about 10 am, opening time for the show. It was a beautiful November day - sun, blue sky, and not too cold.
The queue to get into the hall was enormous, so I walked round to the side to see if I could find a tradesman's entrance. I did, but was stopped by a door-guard who kept telling me to join the queue at the front despite my attempts to explain that I was there to sign books for Salleck. Luckily, just as I was about to give-up, a chap came up who recognised me and let me through. He turned out to be Thomas Götze, the organiser of Comicmesse Köln, and he gave me safe passage to Salleck's stand. Thank you, Thomas!
I wasn't totally sure if I was there because volume 3 of Die Regenbogenorchidee was now published, but actually that is coming out next May (2015), so I was there just to sign and do sketches for volumes 1 and 2. But that morning Eckart realised he'd forgotten to bring any volume twos! "Ashes on my head!", he said, obviously feeling bad about it. But actually it was fine - a good number of volume one was sold and I was kept very busy sketching - the day flew by. I didn't even have time to look round the hall myself and I didn't manage to take a single photo at the show.
I did meet lots of lovely people though. I always find my German hosts and readers to be hugely polite and friendly and it has made my trips there (previously to Essen and Erlangen) very worthwhile and a complete pleasure. I must offer special thanks to Peter Nover (he wrote the article on me in Zack Magazine at the start of the year) who gave me a complete set of the Erlangen Panini stickers (I'm no. 68!), and the album, as well as a copy of a new magazine he's involved in, Camp (which includes a rare 4-page strip about the discovery of the tomb of Tutankhamun by Edgar P. Jacbos, from 1964).
Eckart was also very generous - still feeling bad about the lack of volume two stock, he gave me a present of the two André Juillard Pêle-Mêle artbooks from Pythagore. I'd been drooling over one of these at a friend's house en route to the Lakes Comic Art Festival last year, so this was a wonderfully generous gift (and a rather heavy one, I just about got them into my little bag for the flight home!).
With the day over, I made my way back to the hotel and promptly fell asleep for an hour. At six I met Eckart in the lobby to go out to dinner. He had a very interesting guest with him - Dr. Johannes Wachten, the retired senior curator of the Jewish Museum in Frankfurt. He had helped Eckart with some specialist translation relating to the Israeli Air Force when Salleck published Yann and Juillard's graphic novel, Mezek.
We took the tram across the Rhein into Cologne, and then a walk to the Art'otel on Holzmarkt to meet one of Eckart's stand helpers for the day, Ernst, and his wife. En-route we had a very interesting historical commentary from Dr Wachten, especially in relation to the Roman origins of Cologne (Colonia, or Colony, more fully Colonia Claudia Ara Agrippinensium - the Colony of Claudius and Altar of the Agrippinians!), which helped to keep my thoughts away from the fact that it was getting really quite cold. Also, there was a lovely yellow moon low in the sky across the Rhein as we walked along the redeveloped harbour on Im Zollhafen.
Things were kept interesting when, after a long walk, we reached our restaurant for the evening, Oxin (on Alteburger Strasse), and I had my introduction to Persian cuisine. Not being a very adventurous eater I found it very tasty, though I kept away from the octopus! Eckart said we should all have ice cream next so, despite feeling rather full, I did my best with some kind of mocha-extravaganza at the nearby Eiscafé Forum.
The cold was getting colder and my brain was thinking thoughts bedward, but we decided on a quick tram trip to see Cologne Cathederal late at night - a very impressive structure that survived the Allied bombing of the city in WWII, and Germany's most visited landmark. We then said our gute nachts and Eckart and I made one more tram journey back to the Hotel Kaiser.
My flight home on Sunday was not until after 4 pm, so Eckart drove us both to Oberhausen (not far from Essen) and to the Ludwiggalerie to see the Streich Auf Streich exhibition - 150 years of German-language comics since Max and Moritz. It was a fascinating display, with many originals and made all the more interesting with Eckart as my personal guide. We followed the visit up with a luxurious lunch in the Kaisergarten Count Westerholt Restaurant (complete with live piano player) and then - though I was getting a little anxious about the time - made a very brief visit to a local moated 15th/16th-century castle, Burg Vondern.
After a little confusion about which direction to take, we got going back on the Autobahn, the traffic was kind, and I was dropped off at Köln-Bonn airport with time to spare for my flight home.
A big thank you, once again, to Eckart Schott for his generous hospitality, and to Ernst for taking me to lunch on the Saturday (and for his and his wife's, and Dr. Wachten's excellent company in the evening). As always, a super-big thank you to everyone who came to get a sketch, buy a book, or even just to chat - danke schon!
I don't know much more about it - but I do know that Thomas Du Caju (Betty and Dodge) who I met at Angouléme will be there, and so will Diana Sasse, a comic author who I was in touch with in the early days of the web-version of The Rainbow Orchid (she draws amazing horses).
Also in attendance will be Alexis Martinez and Gunther Brodhecker, creators of a little book I picked up a couple of months back called Das Tagebuch des Richardo Castillo, set in the 'New France' of the 18th Century (North America), with beautiful cartooning somewhat resembling the work of Willy Vandersteen, I thought. They have a colour edition coming out in French from BD Must.
See you there?
I've measured out the panels on the final drawing paper (A3 landscape for half a page), scanned them in, reduced them to A4, printed them out, and have then very roughly sketched in the basics of each panel (based on the script and the thumbnails). These have then been scanned in again and lettered so I know how much space the balloons will take up before I commit to the finished artwork.
The next thing to do is to start the actual drawing!
I tried a couple of new things out at the workshop - lucky-dip treasure items and communal map-making, which I will definitely keep for future workshops. I have to say I'd prepared the event for a slightly younger audience than I got, and the venue was incredibly noisy - but everyone still seemed to enjoy it, despite a bemused expression or two at my opening 'Adventurer's Oath' (soon turning to chuckles, though). Huge thanks to everyone who participated, and also to Jenny Hayes, from Egmont, for looking after me so well.
This isn't the sort of comic show I would normally attend, but it was fascinating to see. I didn't stay too long after my book signing, but - if for nothing else - the whole trip was worth it just to see RO reader Matthew Stubbs turn up in a fantastic Julius Chancer cosplay. Thank you, Matthew - that really made my day.
One other thing to tag onto this blog entry: a lovely review for The Complete Rainbow Orchid from the fabulous Read It Daddy ...
Charlotte's best bit: Fab and exciting, and plenty of awesome female characters for her to identify with as well as a no-nonsense hero that uses his brains rather than his fists.
Daddy's Favourite bit: A shining example of a brilliant story that you can comfortably recommend to parents looking to introduce their kids to comics. Cannot recommend this highly enough.
I will be there on Sunday (13 July), giving a comics workshop at 11.30 ('Create your own amazing adventure comic'), with a book signing afterwards. I believe the workshop is free (once you've paid admission to the main convention), you just need to sign up at the YALC booth inside the Book Zone.
Hope to see you there!