I've not had any involvement in this year's project, but my talented wife, Elyssa Campbell-Barr has. She was involved with Arni when she was commissioned later on to add rhyming couplets to the pages for a very limited edition book after it had completed its screen run. With Monkey Mischief she has co-created the story and written the words, with the art this time being the beautiful work of illustrator Alison Edgson.
If you're out and about over the next few weeks you should be able to spot Monkey Mischief on JCDecaux's screens across the country at train stations, shopping malls, bus stops, road sides and airports, etc. Follow Beframus on Twitter or Facebook to see the story unfold online.
On the subject of Arni, there was a little bit of chatter about how this year's Waitrose Christmas TV advert somewhat mirrors our tale of the little Norwegian Pine Grosbeak. After watching it, I can certainly see it has a few points of remarkable similarity - a little bird making the long trip from Scandinavia to the UK, getting hunted by a hawk, crossing the sea and ending up on a ship after being battered and almost drowned (and rescued) in a storm, and we could even say meeting a little girl at the end who provides it with food after the long journey.
I wouldn't go any further than just noting the similarities though - there are many differences as well, of course. Waitrose commissioned a book of the story written by world-class author Michael Morpurgo and wonderfully illustrated by Kerry Hyndman (and published by our friend, David Fickling) - plus 50p of every book sold goes to Crisis, the national charity for homeless people.
We decided to take the ferry from Portsmouth (a 2-hour drive), but it wasn't until I'd bought the tickets that I realised our littlest one didn't have a passport (our five-year old had hers for a previous comic festival trip to the Netherlands in 2012). This meant we had to do a rush application, including a visit to the passport office in London on the day of a train strike ... all rather hectic and expensive, but it worked out.
The quay at St. Malo - the white tents in the centre and the two long buildings and tent to their right is the main festival venue.
The ferry out to St. Malo was an 11-hour overnight crossing. Despite the calm seas, I didn't sleep well, and emerged into Brittany feeling a little dazed. But we had a lovely and well-timed welcome from my Belgian publisher, Jean-Michel Boxus, and his assistant, Francois Lienart, (both last seen at Angoulême in 2014) followed up by a fantastic French breakfast at Café de L'Ouest.
After that it was off to the festival, where we collected our passes and I got down to sketching and signing books while the rest of my family went off to enjoy the walled city and its beaches. It was great to meet (Dutch) Vano again, and later on (Belgian) Thomas Du Caju - both previously met at Angoulême. Other table fellows of the weekend included Spanish artist Jamie Calderón and French creator Julien Carette. I was also delighted to bump into my fellow Britannique, Ian Culbard.
At the BD Must stand.
My lack of sleep on the ferry started to manifest towards the end of the day as I began to feel rather light-headed, and at one point I'm sure the picture of Evelyn Crow I'd just drawn winked at me! It was time to get to our hotel, a couple of miles out from the old city, and we were grateful for the services of Francois who drove us to and from the hotel for the duration of our stay.
The hotel, La Rotonde on Boulevard Chateaubriand - a late booking - was good, basic, of 'unique' character, and did the job for four tired travellers. We had a take-away and watched a bit of French children's TV before lights out.
I was given Saturday morning off, so we took a walk round the city wall, taking in the wonderful coastline, sights, fresh air and history (St. Malo is home of the corsairs!), and a crêpe breakfast along the way. The only blot to the trip was the loss of our little girl's much loved soft toy cat, Fudge, mislaid somewhere in the festival venue. We asked several times at the Information booth, and a 'wanted' poster was made and posted up - but no joy, alas.
After a sandwich lunch in the open space of the Esplanade Saint-Vincent, it was back to an afternoon of sketching. I'd had a few moments to stretch my legs and look around the festival - it had a very nice atmosphere, much smaller than Angoulême, but better for it, I think, more manageable, and lovely BD albums wherever you looked. My children enjoyed it too, seeing a live 'time travel' show at the Palais du Grand Large (Collecteur Temporel) and taking advantage of some their drawing and colouring sheets.
Vano, Garen and Jamie signing and sketching.
We returned to the crêperie where we'd had breakfast, Couleur Safran on Grand Rue, for a Breton galette dinner, where the owner, it turned out, had a couple of sketchbooks filled by guests from past Quai Des Bulles, and I was requested to add one myself, resulting in a slightly dishevelled Julius Chancer being placed in the window for the evening.
After a much better night's sleep, it was time for the ferry again on Sunday morning, with a lift from the hotel to the port from Francois. The journey back was about 8 hours, but it was really rather pleasant. I was kept busy taking the children to a Halloween magic show, and then trying to solve the ship's treasure hunt. Plus I had a nice Blake & Mortimer to read and a little snooze to enjoy. Our daughter even won a prize in the drawing competition. It was gone 10 pm by the time we reached home, the children asleep, and big mugs of tea much needed by the parents.
Enormous thanks to Jean-Michel for inviting me to Quai des Bulles, and to the BD Must team, Francois and Patrick, for looking after us so generously. And an extra special thanks to everyone who came by and bought L'Orchidée Arc-en-ciel, I really appreciate it.
The ferry home.