Both were driven by nostalgia to a large degree. We always used to go and see the new Bond film at the cinema ... I particularly recall seeing Moonraker, but I think The Spy Who Loved Me (1977) was the first. But just six months later my life would change, because that is when I went to see Star Wars (at The ABC in Tunbridge Wells, now sadly flattened).
Up until then it was war - comics, toys, models and films - that were my main preoccupation, but I mostly dropped that after Star Wars, and science fiction and adventure became my new obsession.
It was a great time to be a young kid. After Star Wars came Superman, The Empire Strikes Back, Flash Gordon, Raiders of the Lost Ark, Superman II, Time Bandits, Clash of the Titans, E.T, Conan the Barbarian, Blade Runner, Tron, The Dark Crystal, War Games, Indiana Jones and the Temple of Doom, Ghostbusters, and Return of the Jedi, to name a few that have stood the test of time.
And it's nostalgia that is at the heart of The Force Awakens - an aspect that is partly responsible for its huge success, but which has also been one of the main points of criticism of the film.
I enjoyed it immensely, but then perhaps the film was rather aimed at me and those like me, and it pushed all the right buttons. I liked it so much that I started 2016 by going to see it again, and was not disappointed with a second viewing and with the hype somewhat cooled.
It's nice seeing the old faces again, but the best thing about the film is the new faces: Rey is an intriguing and positive main character, Fin is entertaining and hugely likeable, and the dark side offers up a very interesting personality in the guise of Kylo Ren.
Unlike some critics, I didn't mind the plot parallels with the original Star Wars. I think it's a trait of the series (or perhaps the Force) that patterns repeat, and I'm not surprised, after the reception that greeted episodes I-III, that the writers and producers wanted to play it safe to get the new franchise off the ground.
My worry is that the creative team behind episode VIII, slated for late 2017, will give too much attention to the voices of the fans when they come to map out future instalments. While, as I said, I loved every minute of The Force Awakens, it has also, actually, given me a greater appreciation of the originality and vision of George Lucas's prequels.
I re-watched them over the past couple of weeks, for the first time in a long time (in fact, in the case of episode III, for the first time since seeing it just once at the cinema) and was pleasantly surprised. Jar-Jar Binks wasn't as annoying as I, perhaps, mis-remembered, and I even found young 'Anni' likeable and somewhat sympathetic. Certainly the over-baked scenes with Hayden Christensen and Natalie Portman are a bit difficult to watch, but I got a better sense of Anakin's path to the dark side by seeing all three in sequence. I surprised myself by really enjoying the last of the three, even Darth Vader's "Noooooooo!" didn't seem half as bad as I recalled.
The setting of the prequels is a feast for the eyes, and I think the story just about works - especially if you immerse yourself fully into the fantasy. This isn't science-fiction, after all, it's pure space fairy-tale!
Was Lucas largely criticised for being original? For telling the story he wanted to tell, and not the one his films' keenest fans wanted (ie. a more Star Wars-y Star Wars). Are those who are criticising The Force Awakens for being too much like A New Hope the same people who criticised The Phantom Menace for not being 'Star Wars' enough?
I'm not saying the prequels were perfect films, not one bit. I do wonder if, because of what they are, they are put under a great deal more scrutiny than would ever be directed at the original trilogy. Episodes I-III are world-building, background, nerd-notes. I shed myself of some of the internet stigma that has built up around them, and found I enjoyed them more than I thought I would.
We've had our nostalgia moment with The Force Awakens, and that's brilliant. Now let's hope we move forward into new territory, where quality storytelling will prevail over commercial interests and fan pressure. I want to see the new characters grow, and I'd love to see Luke Skywalker - the kid that started it all - used intelligently, with new aspects revealed, giving impetus to the new series, so that a long time ago, in a galaxy far, far away, has a bright, absorbing, and exciting future.