In the following article I'm going to record (perhaps solely for my own benefit) how I broke down a twenty-year brick wall, as well as highlighting the clues that revealed the facts and a couple of wrong turns I took, while hopefully offering some routes that may be helpful to others in a similar situation. Warning: this is still a work in progress, may contain errors, and does not necessarily constitute an end result!
When I started researching the Camerons back in 2000 I made fairly quick progress through the usual route of birth, marriage and death certificates (along with a few letters from a great uncle and a photocopy of a family Bible). My great-grandfather was Peter McDougall Cameron (1881-1923), his father was Peter Cameron (1856-1913), and his father was Donald Cameron (1810-1887), with the family hailing from Perthshire, particularly Clunie, where Donald was the Church officer. At Donald I hit a brick wall - and he currently remains one (though I have a small book's worth of research and theories that I'm hoping will click one day and unlock the answer).
But I was even more intrigued by Donald's wife, Catherine Campbell. The census returns gave her a birth date of around 1815 and her birthplace as France (though a British citizen). Her death certificate, from 1889, claimed her parents were Donald Campbell, a sergeant in the 42nd Regiment, and Barbara Stevenson. Anyone with a taste for military history will recognise the potential importance of the date 1815 - the year of Waterloo. Indeed, a family story claims Catherine was 'born at the battle of Waterloo', and the 42nd Foot were in the thick of it. In fact, the battle did not take place in France but in nineteenth century Netherlands (now Belgium), though afterwards the regiment moved to the vicinity of Paris as part of the occupying army, before returning to England in December, which may give some logic to the record of Catherine's French birth.
With these facts at hand I spent the next nearly twenty years trying to find and identify Catherine's parents, but to no avail. Perhaps the names on the death certificate were wrong, in which case my chances of finding Catherine's forebears were going to be next to impossible. Donald Cameron and Catherine Campbell were a brick wall so high that I started to accept I'd probably never be able to climb it.
On New Year's Eve 2018 I was in the house alone and found myself, yet again, making a fresh search for Catherine's parents - only this time something came up. I don't know if it was a new record, or just that my desperation was leading to more and more creative searches, but up popped an 1810 baptism at Musselburgh for one Alexander Campbell, son to a Donald Campbell, sergeant in the 42nd Regiment, and his wife Barbara Stevens. Seeing those names confirmed as real, after all this time, had a surprisingly emotional impact.
At last I had a contemporary account of my 4xg-grandparents, so I went into overdrive searching for any other trace of their existence. The standard searches continued to remain silent, but when I tried something a bit different I came up with another result. The above baptism of Alexander Campbell took place in Musselburgh in 1810, which coincides, unsurprisingly, with the location of the 42nd Regiment on that date. I decided to search the census returns for anyone named Campbell who was born in a known 42nd Regiment location, either at home or on campaign, within the early 1800s.
To my surprise I had some success and came up with a William Campbell, born in Gibraltar around 1808 - the location for the 42nd just before they embarked for the continent and the Peninsular War. A little research on this William, who also stood out to me because he was living in Perth, not too far from my own Catherine Campbell, seemed to confirm him as a 4xg-uncle - a brother for Catherine. He died in 1879 and his death certificate recorded his parents as William Campbell, soldier, and Barbara Stevens. I reasoned that 'William' was probably a mistake that should have read Donald (though I did make a note that I should allow for the possibility of a previous Campbell husband, even if that seemed unlikely). He had married Martha Hamilton in Perth in 1834, and one of his children helped to confirm the family connection.
In 1844 he had a son baptised as William Keir Campbell - significant because Catherine also had a child, a daughter, baptised in 1844 called Charlotte Keir Cameron. Neither of the children survived into adulthood, William dying in 1848, and Charlotte sometime before 1851. I'd often wondered about the name Keir, reckoning it must have had some importance to Catherine, so I decided to divert my attention onto that question for a bit - who were the Keirs?
I started my research looking at contemporary Keirs in the Clunie and Caputh locales of Perthshire and a promising family soon emerged. A William Keir, born in Caputh in 1760, married Helen Sangster in Clunie in 1798. One of their children was Charlotte Keir, born in Clunie in 1804. A niece, born in 1843, was called Charlotte Keir Lamont. William Keir lived a long life, and though he died in Rattray, where he worked as an inn keeper, his 1856 death certificate notes that he was buried in Clunie, certified by the Church officer there - Donald Cameron, my 3xg-grandfather. That seemed to seal it, though I could find no obvious family connection, and no evidence linking Catherine's brother William. They may just have been family friends, but certainly the connection was likely to have been with the Campbell parents.
It felt as though a long-empty canvas was now being slowly filled in, and I continued my searches with the few available records of the 42nd Foot in the early 1800s that were available online (particularly the regimental Description and Succession Books). From these there appeared to be only one Donald Campbell who was a sergeant in the right time-frame. He was born in Halkirk, Caithness, around 1781 or 82, and in December 1799 he'd enlisted with the Caithness Highlanders before serving in Ireland following the 'Rebellion'. After the militia were disbanded in 1802, he joined the 42nd Highlanders. There was a slight spanner in the works in that he did not appear on any of the rolls for Waterloo - even if he was killed there, or at the immediately previous actions of Ligny or Quatre Bras, he should have been on the roll, but perhaps he was wounded or sick, or maybe he was one of the men kept back on guard duty in Brussels.
As for his marriage to Barbara Stevens, that remained elusive, but an interesting newspaper article from the John O'Groat Journal of March 1883 provided a potential theory. It told how many of the Caithness Highlanders returned from Ireland and " brought home to Caithness Irish wives, and it is universally admitted that they were 'pretty women' and that many of the Caithness girls were not a little mortified to find that their old admirers had returned, already provided with spouses "
At this stage I had confirmation that Donald Campbell and Barbara Stevens/on existed, I was pretty sure that Donald was from Halkirk in Caithness, and I knew they apparently had three children, born in 1808 (in Gibraltar), 1810 (in Scotland) and 1815 (in France), and also that a Keir family had some importance to the Campbell children - but that seemed to be the limit of what I could discover for now.
With that I turned my attention back to later branches of the Cameron family. I had been slowly going through the families of Donald and Catherine's children, many now in Glasgow and Dundee, filling out their stories and keeping an eye out for any clues that might reflect on the families' past. Especially interesting were the children of daughter Barbara Cameron and her husband James Wilson. They had both died before the turn of the 20th century, leaving a young family largely in the charge of eldest daughter, Agnes.
I eventually got round to looking more deeply into Agnes's story - in 1906, at the age of 37, she married a 58-year old widower and ex-sailor called Archibald Wallace. They settled down and ran a local shop in Birnam near Little Dunkeld where they had two daughters (a previous son had died as a baby, and only one of the daughters made it into adulthood). Archibald died in 1925 and Agnes in 1950, both in Dundee.
To complete the story I was also looking a little into the families of the wives and husbands of the Cameron children and grandchildren, and I was particularly intrigued by Agnes's husband, Archibald Wallace, and his life as a merchant sailor. He'd been born in Argyll, the son of a candlemaker, and in 1879 he'd married his first wife, a young widow called Sarah Sim. A couple of things stood out on Archibald and Sarah's marriage certificate - Sarah's parents were recorded as George Sim, soldier, and Charlotte Keir, and one of the witnesses was James Wilson, house painter, and the father of Agnes Wilson who would become Archibald's second wife twenty-seven years later.
Besides the hint of a family relationship with Archibald or Sarah much earlier than was previously known, the name Charlotte Keir was surely no coincidence, and I immediately furthered my research into Sarah Sim and her family. George Sim had been a corporal in the 92nd Foot, but I could find very little about him, other than he married Charlotte at Perth in 1844 and seems to have died around 1850. Looking more closely at Charlotte was like a lock clicking open. She died in Perth in 1860 and her parents were recorded as William Keir, late of the 42nd Highlanders, and Barbara Stevens.
So Barbara had married again, staying within the regiment of her previous husband, Donald Campbell, and had become a Keir - a more concrete explanation for the middle name of her two grandchildren, William Keir Campbell and Charlotte Keir Cameron. Besides dismissing my previous Clunie-Keir discoveries (though I still wonder if they're part of the same wider Keir family) it also meant that Archibald's two wives were cousins (half first-cousins once-removed, to be precise, or to put it another way, their mothers were half-aunt and niece).
From there the research avenues opened up and the picture started to come into sharper focus. William had been with the 42nd Regiment since 1805, had served in the Peninsular war at Busaco, Fuentes d'Onoro and Ciudad Rodrigo, and was discharged while on service in Ireland in 1822. But unlike Donald Campbell, I found his marriage to Barbara in 1816, in Thurso, Caithness. The couple had four (known) children, half-siblings to Catherine and William Campbell: James and Charlotte in Ireland, and then Daniel and Frederick after William's retirement in Perth.
Looking for Thurso connections I found another surprise - Barbara Stevens had married a William Campbell, a soldier in the 42nd regiment, in Thurso in 1803. This changed things again - it seems the William Campbell born in Gibraltar in 1808 was not, in fact, a full brother to Catherine, but a half-sibling - the father's name on his death certificate had been right after all. So Barbara had three husbands within the 42nd Foot - William Campbell, Donald Campbell, and William Keir. This was not an unheard of situation in these years of the Napoleonic wars. Writing in 1841, ex-42nd Highlander James Anton had mentioned in his memoirs the plight of the wives on campaign who lost their husbands, " many a good woman, who in a few months, perhaps weeks, after her sudden bereavement, becomes the wife of a second husband."
Similarly Sheila Simonson mentions in her paper Following the Drum: British Women in the Peninsular War, "when a woman's [soldier] husband died ... the odds were good that she would remarry within the week." If a woman couldn't remarry, or if a job could not be found for her within the regiment, her rations would be immediately stopped and she and any children would be sent back to England without any further support, facing potential destitution and poverty. It's recorded that the highest known number of husbands a woman held in the Peninsular war was six.
To my delight I found William Keir and Barbara on the 1841 census, at Redgorton in Perthshire. By now William was working as a hand loom weaver, and while it showed their son James was born in Ireland, Barbara herself seems to have been Scottish, though not a native of Perthshire.
I also discovered a statutory death record for William Keir in 1857, in Perth, and that reminded me to check the very useful Perth burgh burial registers that were available at the Perth and Kinross Council website. Sure enough, William's burial was recorded, buried at the Wellshill Cemetery in Perth, but I also discovered a burial for his wife, Barbara (recorded as 'Kerr') - she died in October 1847 with the cause given as 'apoplexy' - a term often used for any sudden death.
By now I'd done a lot of research into the Keirs, but I was starting to dry up again on Barbara Stevens and had made no progress on her possible origins. One evening I made a tentative search in the Perth newspapers around the time of her death - knowing that obituaries and death notices were not nearly as common as they would later become, especially for women, so not expecting anything in return. Nothing was coming up until I really honed down the date bracket and just tried the name 'Keir' on its own - and I got a hit.
The Perthshire Courier of 4 November 1847 had a report on the sudden death of 'Mrs Keir', the wife of an [army] pensioner (explicitly named as William Keir of the 42nd Regiment in the Dundee, Perth & Coupar Advertiser version of the article the following day). She was returning home with a neighbour after putting out some washing on the green when she collapsed and died. But it gave up more ...
"Few women have endured more of the fatigues and hardships of life than Mrs. Keir. She was at the battle of Corunna, marched with the army in the previous memorable retreat, carrying along with her an infant seven months old; afterwards went out with the army to Portugal, and through all the campaigns in that country, in Spain, and in France."
The seven-month old child would have been little William Campbell, and I can't help but wonder what happened to his father - was he a casualty of those terrible months at the end of 1808 and into 1809? Or did he make it, with his wife and child, onto the ships that eventually came and made possible their escape back to England?
And what of Donald Campbell? He certainly seems to have been Barbara's husband by 1810, and must have at least have been in the picture within the nine months before Catherine's birth in France in 1815. But did he die in France or did he return to England in time for Christmas of that year? Curiously, at the marriage of William Keir and Barbara Steven in 1816, one of the witnesses is recorded as being 'Donald Campbell' - not a unique name by any means, but it certainly adds to the mystery of it all.
While I continued to research the easier pickings of the Keir children and their families, as well as some intriguing Cameron connections that came to light after looking into some of Agnes Wilson's friends and siblings, I poked an occasional idle theory or two concerning Barbara Stevens. I'd already discovered so much more than I ever imagined I would, but she had to have come from somewhere ...
One theory I tested was that her mother may have been called Charlotte. She named her second (known) daughter Charlotte Keir, not a hugely common name in 1820 (just over 80 Charlottes were registered in Scotland in 1820, compared to over 200 Barbaras, 385 Catherines, 2,300 Marys and 2,700 Margarets), and the name didn't seem to come form the Keir side of the family. I did find a Barbara Steven, born around the right time, in 1782, to a William Steven and Charlotte Hill, but it was in Edinburgh, and I had no reason to connect her with my own Barbara Stevens.
I was starting to think that she may have her origins in Caithness, and particularly in Thurso - after all, that's where she married her first husband, William Campbell. I turned to my DNA matches to see if any strong connections came up with Stevens and Caithness. A few came up, but with nothing very convincing - except for one who had a John Steven who died in Thurso in 1890. Their tree was not complete so I did a quick series of searches and discovered the possibility that this line lead back to an Alexander Steven who may have been the Thurso-born son of a William Steven and Charlotte Hill - the same names I'd discovered recently in Edinburgh.
I looked at this couple more closely and discovered that William had been a journeyman blacksmith and had married Charlotte Hill in Edinburgh in 1781, having Barbara the following year. But what I'd missed before was that they then moved to Thurso where they had three more children - Jean, Magnus and Alexander. As it turned out, this was not the Alexander of my DNA match - her Alexander was of a completely different line (the son of David Steven and Elizabeth Mowatt of Olrig). My hurried family tree was a mistake but had inadvertently lead me to the right family.
How did I know that I had finally found Barbara Stevens' parents? It was all in the witnesses, only revealed by looking at images of the original baptism documents (they're not included on the searchable indexes). While none were recorded for Barbara in Edinburgh, the Thurso records were slightly more detailed. Barbara's siblings had a couple of witnesses who appeared on more than one occasion, including James Keith and Magnus Steven. They helped to identify that William Steven had a second marriage in Thurso in 1790 to one Janet Sutherland (presumably Charlotte had died). This marriage had Magnus Steven as a witness and a new name, Richard Sutherland - likely a relative of the bride.
Richard Sutherland continued appearing as a witness for a number of the new couple's children, all the way to 1803. In one record, in 1795, it was mentioned he was a 'Chelsea Pensioner', in other words an old soldier. More importantly he appeared on a document I'd already been holding for a number of months - the marriage of Barbara Stevens and William Campbell of the 42nd Regiment in Thurso, in 1803, where one of the witnesses was Richard Sutherland. I double-checked to make sure he wasn't some kind of church official, thus appearing across many records - he wasn't, and seemed to be connected closely to the Thurso Steven family. Also, while Sutherland is one of the most common Caithness surnames, Richard Sutherland was very rare, appearing only about 15 times across the whole of Scotland in the old parish records (compare that to over 500 John Sutherlands in Caithness alone).
Looking at the witnesses also helps, I believe, take the Thurso Stevens back one further generation. Barbara's father, William, appears in a number of online trees, though often only recording his second marriage to Janet Sutherland, and then they differ on his parentage - with some opting for a family form Dunnet, and others from Olrig or Wick. But I think he was Thurso born and bred, specifically to Magnus Steven and Jane Manson, with William born in 1756.
While I can't find a marriage for Magnus and Jane (sometimes recorded as Anne), one witness to the baptism of their son Magnus, in 1765, was James Keith, the same name that appears on a couple of the early baptisms for William and Charlotte. Another is Francis Manson - a name that appears on four of the Steven/Sutherland baptisms (1793-1797) and one of the Steven/Manson baptisms (1761) - the dates suggesting the latter witness is the father of the former, the son of Francis Manson and Katherine Bain, born in Thurso in 1771.
The birthdate of 1756 for William might also tie in with the possible age of Charlotte Hill. While no baptism for her could be found, her marriage entry does record her father to be one George Hill of 'Mutton Hole', Edinburgh, and I did find a George Hill having several children in that precise locale, with his wife Janet Aitken, between 1750 and 1758.
At the end of all this I find I have a surprisingly full biography of the life of Barbara Steven/s/on, but also many questions. What happened to her first two husbands, the Campbells, William and Donald? I can only presume they perished on campaign - did William die at Corunna or during the retreat there? When did Barbara marry Donald, and did he die in Flanders or France, or did he make it back to Scotland? What of their son, Alexander, born in 1810 - I've not been able to confirm his existence into adulthood. Did she have any other children? And looking further back into her roots, would we eventually find Scandinavian blood? Her grandfather seems to have been called Magnus, and she had a half-brother called Darg, both names with an Icelandic or Norse origin, places with a strong connection to Thurso - though that may be many generations further back, and will have to be a search for another day. There's plenty to still find out.
Hints and tips
Search again within record sets you've looked through before - there may have been new records added, or you may have new information or experience that makes your search more successful.
Sometimes more general searches could open a door, for instance search for just a surname in conjunction with a particular place and see who comes up.
Use wildcards (*) to search for variant spellings of a name. When searching for Stevens I used 'st*n*' to encompass all Steven, Stevens, Stevenson, Stiven and Stephens (etc.) - all were spellings used within the family I was searching for. Keir was also spelled as Kier, Keer, Kear and Kerr or Ker.
Look at the original documents (or facsimiles of them) as much as possible - often they will contain extra information that doesn't appear on the index (such as witnesses or exact locations) that can help differentiate between families with the same name, or they may reveal that, actually, the index transcription is wrong.
First and middle names can be clues to other parts of the family, but they could also just be a tribute to friends or neighbours. I knew to keep an eye out for the name Keir as it was used as a middle name, but I also knew another middle name - Leishman - was from a family friend, the local church minister.
Research the spouses of your family members as well as any previous wives or husbands if they were widowed, if they're fellow locals you might be surprised to see a familiar surname within their family.
I started The Rainbow Orchid in 1996/97 before it saw small-press publication in BAM! (Bulldog Adventure Magazine) in 2002. In 2005 I started colouring the strips and posting them online. One thing lead to another, which lead to getting an agent, which lead to several publishers showing interest, and eventually to publication through Tintin's UK publisher, Egmont.
Not content with one, I had two book launches in August 2009 - an 'industry' one at Foyles in London (I was super ill, but managed to survive the evening) and a local one at East Grinstead's Bookshop. The support and love shown for the book at these and subsequent events was wonderful, and has continued throughout the life of the book - an aspect I find pretty humbling and feel enormously lucky about.
At the end of 2009 I wrote up a little overview of how the book had been received, with some thoughts on the UK comic industry of the time (a lot has changed since then). I was privileged to have a number of lovely and enthusiastic people working with me on the book, and in 2010, around the time volume 2 was published, I interviewed several of them about their roles in publishing (agent, commissioning editor, editor, designer, and press officer).
In July 2010 I was able to announce the first foreign language edition of The Rainbow Orchid, in Dutch from Silvester Strips. This would be the first of a handful - with Spanish in 2012, French and German in 2013, and Danish in 2015. A contract was also agreed and signed for a Bengali edition, but sadly the book never materialised.
These European editions lead to me travelling to my first comic shows abroad - twice to Holland, twice to France, twice to Denmark, once to Austria, and four times to Germany. Of course I also attended a good number of UK comic shows and most of the big literary and book festivals - which were wonderful. (I won't mention specific shows, but all my reports are linked here.)
Not every event I did was a roaring success - I did a fair number of school events (not listed), some were fantastic and some I couldn't wait to get out of there! I turned up to one bookshop event to find none of my books on display, no promotion, and, perhaps not surprisingly, just one person turned up to my talk at the end of the afternoon. At another I found my audience was largely 5 and 6 year-olds - too young for my book really - and a table of cakes and fizzy drinks had been set up right next to them. That was memorable! At the other end of the spectrum I found an audience full of serious-looking twenty-somethings, obviously expecting the 'graphic novel' workshop they were attending to feature more darkness and grittiness, and less how to make a fun story out of the surprise novelty items I'd placed into a pillow case and reciting my 'Adventurer's Oath'. We got through it!
One of my favourite events was at my second Edinburgh Festival, jamming and drawing stories with Nick Sharratt and Vivian French inspired by audience suggestions. One of the most memorable was travelling on my own to Angouleme, getting to stay in the grounds of a misty 14th century castle and having a series of more and more delicious meals. I spent time with some incredible comic creators from the UK and Europe, I had dinner with Tom Gauld, Kerascoet and Boulet, discussed blues with Francois Walthery, had a one-to-one director's commentary on Franka from Henk Kuijpers, signed a stack of books for an hour with Posy Simmonds, walked around Angouleme with Eric Heuvel and Vano, and have generally met more lovely people than in any other walk of life.
Sketching in books at shows was something I had to get to grips with quite quickly - I was very rarely pleased with the drawings I produced, but I did slowly get a little better as I went along. At festivals such as Hay and Edinburgh I may have had shorter lines than the big-name authors next to me, but when they'd finished, I was still signing - a sketch in every book!
I had some unusual requests, especially in Europe. Could I draw Evelyn in the nude? (No!). Please draw Julius flying an aeroplane, Julius riding a snow leopard, please redraw this panel here, these two characters fighting, full-length, etc. etc. I usually declined and got them to compromise with something smaller - or my publisher would step in, saying "portraits only!".
In 2012 the complete edition of RO was published - by this time Egmont may have been running out of steam on it, budgets were dwindling, sales were slowing, and I think I was feeling a bit tired of it by now too. There were still some nice things to come - including blistering sales at that year's Thought Bubble and a British Comics Award the following year.
To this day I have still not read The Rainbow Orchid all the way through from beginning to end. While I'm proud of it overall, some of it makes me wince and it's still the bits I'm least happy with that stand out to me when I look at it.
Having said that, my six-year old son just picked it off my bookshelf and asked for it be his bed-time book. I tried to dissuade him, but he insisted, so I am currently reading it to him, a few pages at a time. One thing I will say - the dialogue reads rather well out loud, and it's one book where I can be sure of getting the voices more or less right!
The French edition (L'Expédition Perdue) is published by Nuts! Publishing and the Polish version (Zaginiona Ekspedycja) comes from All In Games. A Chinese version from Yihu BG is also available - or soon to be, I'm not sure - I've seen a cover but haven't yet seen any sign of a physical copy.
The game itself is largely visual and doesn't require much in the way of translation except for the rulebook, of course. Besides the above repackagings you can find a number of downloadable rules translations at Boardgame Geek, including Spanish, German, Italian, Japanese, Hungarian, and Russian.
There are degrees of fame, of course, and not all of it the good type. So I can say I'm related to a murderer or two as well as a couple of murder victims (separate cases), a dodgy priest who was uncovered by the Boston Globe, a well-respected Victorian army piper, and a number of local worthies and 'characters'. However, while it's quite often the smaller stories and individuals I find truly interesting, there are a handful of modern 'celebrities', more widely known, that I share some DNA with. They are by no means close relationships but I can say where they sit on my family tree, so I thought it might be fun to have a look at them.
The first is Chris Farley, probably most famous for his time on NBC's Saturday Night Live during the early 1990s where he performed alongside fellow cast members such as Chris Rock, Adam Sandler, Mike Meyers and Julia Sweeney. He also appeared in a handful of films, including Wayne's World and Coneheads. Farley had a number of similarities to one of his heroes, another SNL regular, John Belushi, and unfortunately that included an addictive personality - he died from a drug-induced overdose in 1997, aged just 33 years old (the same age and cause as Belushi, 15 years earlier).
Chris Farley (and his brothers, two of whom are also involved in the entertainment industry) is descended from the Henderson family who emigrated from Scotland to the US in the 1850s, becoming early settlers in some of the outpost communities of Wisconsin and Minnesota. Our common ancestors are James Ewing and Helen Clark (my 5xg-grandparents, his 4xg-grandparents), making Chris Farley my fifth cousin once removed.
Next on my list is the Queen of Brit-Art, Tracey Emin. I'd suspected we were related when I watched her 2011 episode of Who Do You Think You Are? where it was revealed she was descended from Midland Gypsies with the name Hodgkins, though hers came chiefly from Warwickshire, and mine from neighbouring Staffordshire.
At first I discovered that distant branches of our families did marry (through a very convoluted link) but it wasn't until a few key DNA matches appeared that I was able to confirm her as a blood relative and place her, fairly confidently, on the family tree. Our common ancestors are unknown, but it is highly likely that her 5xg-grandfather, Edward Hodgkins, is the brother of my 5xg-grandfather, Thomas Hodgkins, making us 7th cousins.
Finally, back to Scotland and late 1805 where a ship's carpenter, James Horsburgh, had a bit of a dalliance with the twenty-year old daughter of a local land labourer, producing a son out of wedlock. The son was named after the father but did not follow him to Dundee, where a new wife gave him several more children, this time 'legitimate'.
These Dundee Horsburghs prospered quite nicely throughout the remainder of the nineteenth century, and they were joined in the city some 50 or 60 years later by a separate Horsburgh branch - actually the descendants of the 'illegitimate' James Horsburgh, though whether the two branches were ever aware of their half-cousin status after so long can't be known (unlikely).
This later Dundee branch are my ancestors and were responsible for a number of carting and contracting businesses within the city. The earlier Dundee Horsburghs are the ancestors of one Glasgow-born James William Somerville, also known as Jimmy, and the face and voice of famous 80s synthpop bands Bronski Beat and the Communards. Our shared ancestor is James Horsburgh (my 5xg-grandfather, his 4xg-grandfather) and that makes Jimmy Somerville my half-5th cousin once removed. (Sidenote: my wife's uncle, Royston Edwards, designed much of the sleeve and logo artwork for the Communards).
As you can see, these aren't close relations and I just happened to discover them while climbing down some of the outer branches of my tree. There are probably others not yet discovered, and you'll likely have some too at this range where we have thousands of relatives spreading out from our common ancestors. I have been involved in a bit of acting, I've been in a band, and I work as an illustrator, so next time someone asks if acting or music or art runs in the family, I can answer, "well, as it happens ...".
"Will there EVER be another Julius Chancer graphic novel? We have been waiting for more than five years. I hope that you realize that it won't be long before your readers turn their attention elsewhere. Tintin has stopped the production of new stories, but there are 24 of them. Blake and Mortimer, ever since the title was revived, have come up with a new story every six months to a year. The Rainbow Orchid is too good to let die. Surely, the fertile brain that concocted that story has not run dry."
My stock answer to questions about an Orchid follow-up has been to say that the next story is plotted, partially scripted, and I've started the drawing - all true, but it doesn't really tell you much. So, I'll answer the points in the email above and, hopefully, shed some light.
Will there ever be another Julius Chancer comic? The real answer to that is that I have no idea. I always intended to do another and, as mentioned, I have started one. Since publication of the collected edition I have run hot and cold with the idea - sometimes feeling enthusiastic about it, and at other times thinking I should move on to something different. In the past year I increasingly felt I should abandon Julius Chancer and do something entirely new. The Rainbow Orchid was a big effort, wasn't quite as good as I wanted it to be, and the rewards have been mixed (though I hugely enjoyed the experience and I'm very grateful for all the appreciation it still gets).
To compound my recent feelings, last year I became very disillusioned with illustration and came to the brink of giving up on it. I'd thought about it before, when work was scarce (sometimes), or badly paid (nearly always), or if I was stuck in a particularly bad project (quite rare) - but it never felt serious and I didn't like the idea. But last year I felt absolutely fine about the possibility of leaving the profession and finding something new.
Even though I'm almost 50, it didn't feel like a mid-life crisis, I don't think I'm that sort of person. It felt calm and right. I went on holiday with my family and took all my Tardi albums to read (bliss!). I started getting new ideas about a different kind of work and perhaps some sort of comics hobby I could do that would free me from the pressure of perfection that ligne claire brings with it - it can be kind of exhausting.
After the holiday I left it at that and waited to see what might turn up. Soon enough a few bits of work came my way - I needed the money so said yes to them. Then more work came and my schedule was suddenly overloaded - and I enjoyed it. Illustration pulled me back in, and it felt fine.
In the past few months I looked again at what I'd done for the new Julius Chancer adventure and felt pretty positive about it. The story is good - more original than Orchid (which was very much an homage to books such as Allan Quatermain) - and my art has improved a lot, I think, since the last story.
The current position is this: I want to continue it, but I can't devote a lot of time to it as it doesn't earn me any money and I do need to make a living. So I'll do it as and when I can. It's likely to take a number of years to complete (though I will start putting it online at some point before that), and there's always the possibility it will not get finished at all (but I hope that's not the case - I like the ending).
As the email above says - do I realise my readers will turn their attention elsewhere? Oh, yes, I'm very aware of that, and there's no doubt that has already happened. I'm very grateful to have had any readers at all, but I don't owe them anything more, and they don't me any allegiance. I have no publishing contract, no deadline, and no pressure.
What about Tintin and Blake and Mortimer? Well, Tintin earned its creator a lot of money and he had a full-time studio working with him on his books. As for Blake and Mortimer, they are a star property in Europe selling well over 400,000 copies in France alone and the characters' new creators are handsomely paid for such a high profile project. I'm in a very different situation. I took a drop in paying work while doing The Rainbow Orchid for Egmont, and even with the foreign editions it wasn't enough to make a living. It took me quite a while to rebuild my illustration business afterwards - it's not something I can easily decide to do again, especially with two young children who have since come along.
While I'm here, the following is an example of another email I get fairly regularly ...
"My children are really enjoying the first two volumes of The Rainbow Orchid. They have read and re-read them countless times. The artwork is beautiful and the plot is engaging. They now want to find out how the story ends! Unfortunately we can not find the third volume for sale anywhere except at prohibitively expensive prices. We were wondering if there was a reprinting planned sometime in the future?"
From what I remember, and I might not be totally right on this, volumes one and two sold out their first print run and were reprinted not long before the collected edition was released - which may not have been the best timing. Volume three was released around the same time, so it didn't really get much traction. Whether it eventually sold out, or just stopped selling and was pulped or is hiding in a warehouse somewhere, I don't know. Resellers on Amazon sometimes seem to have copies available, and I think it appears on ebay every now and then. It won't be reprinted in book form and the digital editions were discontinued (that's another story!).
So, short version - Julius isn't dead, but don't worry about him for now and he'll make his reappearance when the time comes - whenever that may be.
It was a challenging but really fun job - a somewhat surreal city scene throwing together a regular town, a food market, and various giant food and drink products as part of the architecture. And I was very lucky indeed to be asked to follow up that first commission with illustrations for the subsequent 2018 and 2019 awards.
Here are the finished illustrations and a few of the working sketches (you can perhaps see I got a bit more confident and ambitious with each year!).
I also illustrated the covers (plus some internal art) for the accompanying Great Taste Books, distributed to over 245,000 retailers and celebrating that year's award winners.
The war had been a hammer swinging wildly into the families of those who were sent to fight, reshaping and defining them for generations to come. The children of the 1850s and 60s grew up with a vision of the British forces as lords of India, heroes of Africa, explorers and defenders of the Great Empire - well, that was the Boys' Own version, anyway. Victorian campaigns would see a handful of British casualties to show for a battle, ten or twenty, maybe a few hundred for a disaster such as Isandlwana or Maiwand. The Boer campaign gave a hint of what was to come, but still nothing could have prepared that generation for what they would be sending their own children into when the ego of Empire boiled over in 1914: banks of machine guns, barrages of shells that fell like rain, gas, snipers, mud, and the sharp end of a bayonet. Twenty-thousand British soldiers were killed on the first day of the Somme alone - industrialised death.
By its end twenty million young lives had been wiped from the face of the Earth, with the roughly 900,000 British dead immortalised in stone monuments in almost every town and village across the land - 205 names are engraved into the memorial on the High Street of my own home town.
A big part of my family history research over the past nearly 20 years has been researching those who served in the 'Great War', and I've currently identified almost 100 individuals within my wider family, many of whom were injured, a handful captured as prisoners of war, and 28 who lost their lives.
For me, it was my great-grandparents' generation who were tipped into the calamity of the conflict. Of my four great-grandfathers only two actually served. My grandfathers' fathers were a teacher and a coal miner, reserved occupations, and they lived on into their 70s. My grandmothers' fathers both joined up: Peter Cameron into the Royal Army Service Corps in December 1915, and Charles Hodgkins into the 4th North Staffordshire Regiment in September 1914. They both survived the war, but died young in the 1920s.
Peter died aged 41, in 1923, after a botched operation on a gastric ulcer. My Gran was just nine when she lost her father. At the time of his passing none of the family knew that another child was on the way, born almost exactly nine months later. Charles died in 1925, aged 34, the day before his little girl's (my Grannie) sixth birthday. The story that came through the family was that he had been gassed during his time in the Dardanelles and had never fully recovered, but my subsequent research revealed something different - gas was not used on the Turkish peninsula, and while it was a respiratory condition - pleurisy and pneumonia - that sent him back home in 1915, it was septicaemia from an oral infection that eventually ended his life.
Most of us are here today because our own forebears survived - only seven out of the 28 fatalities on my family memorial had children - but we all have tales of a much-loved uncle who never came back. Charles' younger brother survived the war, and he had three sisters, one of which, Lottie, married into a family where all seven brothers served, two of whom were killed. A first cousin with the same name, Charles Hodgkins, was killed at Ypres.
Peter Cameron had three first cousins killed in the war, in May, June and December 1916 - each the son of three brothers. Of his own brothers, Peter had three who served - all survived, though one was a prisoner of war in Germany for nine months, and another was severely injured by bullets to the chest and shoulder (he had no children and family lore connected this with his injuries, but I don't know if that's true).
Another family devastated by the war was that of my gg-grandfather, Andrew Phillip. He lost his youngest son to a shell while another was poisoned in a gas attack - but survived. His eldest daughter lost two sons and his eldest son lost one. His older brother lost a grandson - one of four to serve from that family. The stories could go on to fill a book, and there will be yet more to uncover as I continue my research.
As a child growing up the 1970s, it was the Second World War that was closer to home - my parents were born in the middle of it and my grandparents lived through it. I consumed its story through comics and films, and played it out in the school playground and with dolls, plastic soldiers and model aircraft. The family stories of the First World War were barely there at all - whispers, mangled truths, guesses and rumours inferred from the silence of a shell-shocked generation that was fading out of sight.
It was an old Edwardian postcard album that ignited my interest in family history - here were faces I didn't know, many in uniform, the wives and sisters and mothers, postcards that pleaded 'remember me', 'thinking of you' and 'until we meet again'. The emotion, sadness and hope that flooded down through the decades was palpable and helped fuel my drive to understand the effect this scar of history had on the lives of my ancestors.
But if it wasn't for the First World War, I might not be here at all. Great-grandfather Charles, having been sent away from the trenches of Gallipoli, ended up at Whittington Barracks hospital near Lichfield where my great-grandmother, a local farm girl, delivered eggs to the recovering soldiers. Here they met, fell in love and married, and two children, nine grandchildren, 15 great-grandchildren, and even more great-great-grandchildren have been the result.
On this 100th anniversary of the Armistice, here's to the memory of those who were sent to fight - on both sides, from all nations; those who came back and those who didn't; to the parents who had to send their children and then read the casualty lists in the local paper and dread the clatter of the letter box every morning; to the sisters, wives and sweethearts who lived on; and to the children who wondered at the dark silences of their parents and grandparents, only to find the answer by being sent to fight in the next world war - hopefully the last generation to have to do so, despite the simmering waters of nationalism and isolationism that threaten to bubble up once more.
Walter is a fairly recent discovery - I'm currently writing the story of my Ewing family (it's turning into something of an epic) where some new research lead me to discover one of my 5xg-grandfather's sisters, previously thought lost, was actually widowed at the start of the 1850s and then emigrated, with her children, to America. While she probably died in Wisconsin sometime in the 1860s, two of her sons moved on to Minnesota and settled and had family there. The grandson of one of these Minnesota pioneers was Walter Henderson.
He was born near Spicer in Kandiyohi County in 1892. After school and some farm work, he ended up in Montana working for the Home Lumber Company, and in September 1917, six months after the US entered the Great War, he volunteered and was assigned to the 362nd Infantry, 91st Division, at Camp Lewis. On Christmas Eve of that year he married, in Washington but to a Spicer girl, and in June, by now a Corporal, he was mobilised with Europe as his destination (his troop train actually passed through Willmar, Kandiyohi, and he was able to see his family again, briefly, before he left).
Walter arrived in England in July 1918, and after a short while they were off to France where they spent their first few weeks in the battle-torn country training for what was to come. What was to come turned out to be hot battle - St Mihiel, where 300 Americans were lost, and then, constantly under the threat of German planes and gas, on to the Argonne and Epinonville. On the 29th September the Division found itself in action at Gesnes, battling enemy soldiers holding the Kriemhilde Line. It was here that Walter lost his life - he was last seen scouting ahead of a ridge occupied by his company.
Walter's grave, along with over 14,000 of his fellow US servicemen, can be found at the Meuse-Argonne Cemetery near Romagne-sous-Montfaucon in France. You can see my own family war memorial here.
His body of work was incredible in both quality and scope, and I would have been reading his strips in various British weeklies long before I knew who he was. He designed Judge Dredd, and became one of the character's cardinal draughtsmen. The first strip of his I became obsessed with was Strontium Dog: Portrait of a Mutant (1981), and the next was Judge Dredd: the Apocalypse War (1982), both classics that have stood the test of time. I read and re-read those stories, and examined his art until I could conjure up many of his iconic images at will, enjoying them again in my mind's eye rather than concentrating on the maths I was supposed to be doing at school. Every line he drew crackled with energy and every panel jolted the story into vivid life.
Four expansions are included in the little box, all of which can be added into the base game separately, or mixed and matched as you like. The Fountain provides 12 new adventure cards and tells the story of the original conquistadors who discovered the 'Fountain of Youth' and who now jealously guard it with their eternal but decaying lives. The Mark consists of six new adventure cards and injects an ancient dark curse into proceedings. The Mountain replaces the base game map with ten new terrain cards and some new rules for a bit of variety. And then there's New Friends - three companions to help you survive your quest.
As usual with Osprey, the production is as high quality as the mechanics, and it genuinely enriches the game play, it's not just an afterthought. The only criticism I've seen is a slight variation on the colour on the backs of the cards in relation to earlier editions of the base game, and a minuscule size difference, only noticeable if you look hard enough. Neither impedes game play. The one tiny criticism I'd have is a design one - the poor kerning of the title on the box cover, which could have done with a little attention.
If you own The Lost Expedition then you really should augment it with The Fountain of Youth - it adds a new dimension of enormous fun and adventure. If you don't own it - go and get a copy! (See my blog post on doing the art for the original game here.)